The legacy of Ricardo Bofill

Acclaimed spanish architect ricardo bofill has passed away aged 82. Born in 1939 in barcelona, Ricardo Bofill went on to lead one of the world’s most notable architecture studios.

Wlden 7 and Taller de Arquitectura Headquarters. Image by © Julio Donoso/Sygma/Corbis

Renowned for his radical approach, Bofill’s projects are particularly noted for addressing issues of urban planning on a political and social level. His architectural legacy includes Xanadú and la Muralla Roja in Alicante, and La Fabrica and Walden 7 in Barcelona.

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Muralla Roja, Alicante. image © ricardo bofill taller de arquitectura

Ricardo Bofill has designed over one thousand projects in forty countries. In today’s image-based culture, projects such as la Muralla Roja have been rediscovered and immortalized thanks to its colorful and iconic aesthetics. Throughout Bofill’s work, color has played a central role, which can also be seen in buildings such as Walden 7 and Xanadù.

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Kafka Castell Sant Pere de Ribes, Barcelona. image © ricardo bofill taller de arquitectura.

With his usage of vibrant colors and bold geometries of precast concrete, the late designer has been celebrated as one of the most representative postmodern architects in Europe. As such, many of his works express a sense of large-scale experimentation. While his spaces imply a rejection of the strict rules of the classical and modernist styles, he often integrated familiar classical forms, playfully reinventing long-lasting architectural conventions.

 

RIP maestro.

Full article in DESIGNBOOM

 

Stefano Boeri, IAAC Lecture Series

IAAC Lecture Series: Green Obsession by Stefano Boeri

This lecture by acclaimed Italian architect Stefano Boeri is the launching event for the global online competition “Design for Biocities.” This is the 9th edition of the Advanced Architecture Contest, this time focused on rethinking our human habitats following the rules of natural systems, promoting the transition from Cities to Biocities.

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Lecture Abstract:

Today the effects of the Anthropocene age are ever more visible, changing our environment and affecting every species that lives within it. Green Obsession offers a path to be taken, a hard but still necessary paradigm shift – even for architecture and urbanism – that aims to give a voice to this much needed ecological transition. A book with the same title, recently published by Actar, aims to unveil the processes and the complexity involved in the search for a new kind of urbanism, while raising questions and opening old wounds related to the relationship between the human species and Nature and finally putting these fragments together to create a portrait of our era. We need to conceive cities as new green catalysts. Now more than ever, it is essential to act together as separate individuals and professionals, joining the cause as members of the global community with a shared environmental strategy. We all have to open the era of a new alliance between Nature and City.

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Liuzhou Forest City by Stefano Boeri Architetti

About Stefano Boeri

Stefano Boeri is an architect and urban planner and Full Professor at Politecnico di Milano. In Shanghai he is Director of the Future City Lab at Tongji University: a post-doctoral research program which explores the future of contemporary metropolis under the perspectives of biodiversity and urban forestry. Boeri’s practice ranges from the design of architecture and urban visions to product design, with a constant focus on the geopolitical and environmental implications of urban phenomena. One of his most highly cited projects is the Bosco Verticale in Milan.

IAAC Lecture Series – Stefano Boeri

Date: Tusday January 11th, 2022
Time: 19:30 CET

Title: Green Obsession
Event: Launching “Design for Biocities” 9th Advanced Architecture Contest

Location: Online Zoom/Facebook Live

The lecture is now fully booked. But you can follow the lecture live via Zoom or on IAAC’s Facebook. 

Gaudí at the MNAC

Gaudí, the exhibition at Museu Nacional d’Art de Catalunya until March 6, 2022
Curator: Juan José Lahuerta

Antoni Gaudí (1852-1926) is undoubtedly the most popular and internationally renowned Catalan architect.

Can we rethink the image that we have of him today? You will find the answer in this exhibition, which offers a new look at the architect and an exercise in deconstructing the man, the myth and his work, which are so often reduced and simplified to the point of turning them into a brand.

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Josep Costa (Picarol). L’Esquella de la Torratxa. Barcelona Futura, 04/01/1912. Museu Nacional d’Art de Catalunya – Library Joaquim Folch i Torres

Antoni Gaudí was a complex character who carried out his work with very specific political, ideological and aesthetic strategies in mind.

Gaudí was not a mystic absent from the world

Twenty years after the celebration of the Gaudí Year, the Museu Nacional presents an exhibition that steers clear of clichés and covers the architect’s entire career.

In a museographic approach grounded in theatricality and the accumulation of objects, as if it were Gaudí’s workshop, more than 650 items are displayed, including architectural and design objects, furniture, documentation, floor plans and photographs from around one hundred national and international collections, including the Museum collection, which holds an important set of works by the architect.

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Furniture of the distributor of the main floor of the Casa Milà disassembled in the 1960s. FERRAN NADEU

The exhibition, which can be seen at the Musée d’Orsay in Paris from 14 March to 17 July 2022, shows that Antoni Gaudí did not work in isolation from the world and places it in the international context of the time with works by Geoffroy-Dechaume, Thomas Jeckyll, William Morris, Auguste Rodin and Eugène Viollet-le-Duc.

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Richard Rogers dies at 88

Richard Rogers’ top 5 architecture projects.

Following the news that high-tech architecture pioneer Richard Rogers has passed away aged 88, here are 5 of his most influential projects including the Centre Pompidou and the Millennium Dome.

The Italian-born architect won a series of awards for his designs, including the 2007 Pritzker Architecture Prize, and is one of the pioneers of the “high-tech” architecture movement, distinguished by structures incorporating industrial materials such as glass and steel.

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Mr. Rogers in his studio in 1979. He became one of the world’s most successful and well-known modernist architects.

Reliance Controls, Swindon, UK (1967)

Designed in partnership with Norman Foster, Su Brumwell and Wendy Cheesman while Rogers was part of Team 4, the Reliance Controls factory in Swindon was the first high-tech industrial building.

The building, which contained both the factory and offices for precision electronic instruments company Reliance Controls, has its structure clearly visible – something that would become a hallmark of high-tech architecture.

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Centre Pompidou, Paris, France (1977)

Perhaps Rogers’ most famous building and a clear expression of his inside-out architecture, Centre Pompidou in Paris drew global attention to both its architects and the high-tech movement.

Designed with Italian architect Renzo Piano, the art gallery has its structure and mechanical services visible on the exterior of the building, creating open, flexible interior spaces.

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Colour-coded services, including red circulation routes, are on the building’s exterior. Photo is by Michel Denancé, courtesy of Renzo Piano Building Workshop

Inmos Microprocessor Factory, Newport, UK (1982)

At the Inmos Microprocessor Factory in south Wales, Rogers continued the idea of inside-out architecture.

To create the large, column spaces required by the microchip factory, the building’s roof is supported by nine blue-painted towers made from tubular steel that are positioned along the centre of its roof.

Rogers designed the highly-flexible single-storey steel structure as a prefabricated kit of parts so that similar structures could be built anywhere.

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Lloyd’s building, London, UK (1986)

One of the most recognisable pieces of architecture built in the 1980s, the Lloyd’s building in London is another of Rogers inside-out buildings that has its structure and services clearly visible on its exterior.

Built as the headquarters of Lloyd’s of London – one of the world’s largest insurance firms – the 14-storey office block is wrapped around a central atrium. Placing the services on the outside creating open, flexible offices inside.

“[We] kept the floors clear because Lloyd’s said they wanted two things,” Rogers told Dezeen in an exclusive interview in 2013.

“They wanted a building that would last into the next century – we met that one – and they wanted a building that could meet their changing needs.”

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Placing the services externally means its interiors are open and flexible to meet them company’s changing needs. Photo is by Janet Gill, courtesy of RSHP

Millennium Dome, London, UK (1999)

Built to house an exhibition celebrating the beginning of a new millennium called the Millennium Experience, the dome-shaped structure was designed as a giant tent. The 50-metre high dome in Greenwich, London, is supported from 12 bright yellow towers.

More than six million people visited the attraction in the year 2000, and it was subsequently converted into a concert and entertainment venue.

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Carme Pinós, Premio Nacional de Arquitectura de España 2021

El pasado viernes 10 de diciembre, se anunció que Carme Pinós ha resultado ganadora del máximo galardón arquitectónico otorgado en España: el Premio Nacional de Arquitectura promovido por el Ministerio de Transportes, Movilidad y Agenda Urbana.

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Carme Pinós. Imagen © Miquel Tres

Con una trayectoria de más de 90 años de historia, este premio busca destacar a una persona que, con su trabajo o con el conjunto de su obra, contribuya o haya contribuido de forma extraordinaria al enriquecimiento de los aspectos sociales, tecnológicos y sostenibles de la Arquitectura o el Urbanismo español dentro y fuera de las fronteras españolas. Definitivamente Carme Pinós, lo tiene merecido. Sus obras van desde el clásico de la arquitectura Cementerio Igualada junto a Enric Miralles hasta los recientes Escola Massana, Centro de Arte y Diseño y Sede de las Delegaciones Territoriales de “Les Terres de l’Ebre”.

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Crematorio del Cementerio de Igualada. © Jesús Arenas

El jurado destacó en esta ocasión la solida trayectoria de Pinós, siendo a la vez prolífica y de excelencia, impregnada siempre por una gran potencia creadora. Un proceso creativo que recorre toda la obra arquitectónica, culminando con una sobresaliente ejecución de lo proyectado. Al mismo tiempo, enfatizó la responsabilidad social y la sostenibilidad perseguida en sus proyectos, haciendo mención además a su transversalidad como profesional, promoviendo el diálogo de la arquitectura con otras disciplinas y demostrando una gran capacidad divulgativa tanto dentro como fuera de nuestras fronteras.

En este sentido, de forma reciente, el 28 de octubre de 2021 tuvo lugar la inauguración de la Exposición Carme Pinos – Contexto y conceptos en el marco de la 2021 Bienal Internacional de Arquitectura de Euskadi MUGAK, que estará abierta al público hasta el 27 de febrero de 2022.

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Ampliación del Mercado de la Boqueria, Barcelona. © ElZinc

En esta ocasión, el jurado estuvo conformado por Álvaro Siza Vieira (Premio Nacional de Arquitectura 2019); Alberto Campo Baeza, (Premio Nacional de Arquitectura 2020); Luis Fernández-Galiano (propuesta de la Real Academia de Bellas Artes de San Fernando); Mar Loren Méndez, (propuesta de la Conferencia de Rectores de Universidades españolas); Sol Madridejos Fernández, (propuesta del Consejo Superior de Colegios de Arquitectos de España); Eva Armas Gil, (propuesta de la Federación de Asociaciones de Periodistas de España); y María Langarita Sánchez, (propuesta de la Dirección General de Agenda Urbana y Arquitectura). Asimismo, el secretario del jurado fue Iñaqui Carnicero (director general de Agenda Urbana y Arquitectura), y la secretaria de actas fue Marta Callejón Cristóbal (subdirectora General de Arquitectura y Edificación).

Articulo de Fabian Dejtiar para ArchDaily 

 

Oriol Bohigas, the architect of permanent modernity

Oriol Bohigas, the architect of Barcelona’s celebrated urban planning, he also leaves behind a solid intellectual, civic and political legacy, has died.

Lucid almost to the end, Oriol Bohigas (1925-2021) has died on the verge of his 96th birthday. In recent times, from a wheelchair, he had not stopped attending cultural events, always accompanied by the architect Beth Galí. He was a key personality of the second half of the 20th century, an essential figure in giving continuity to the golden age of contemporary Catalan culture, that is to say, to the fabulous network of creative impulse, institutionalisation and pedagogical civility that went from Modernisme to Noucentisme, passing through the avant-garde. From anti-Francoism first and, later in democracy, from the recovered institutions, Bohigas projected into the future the ambition of a republican past heir to that brilliant nineteenth to twentieth century, which he knew first-hand for family reasons: his father was one of the architects of the reorganisation of Barcelona’s museums in 1930 and the rescue of Catalan art during the Civil War.

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Oriol Bohigas in Plaça Reial Barcelona ©Julio Carbó

When Bohigas was barely 22 years old, he made his debut as a journalistic polemicist in the magazine Destino alongside Eugeni d’Ors, whose friendship he would later cultivate. D’Ors once wrote him this nice dedication: “To Oriol, who makes the sun rise”. The ideologue of Noucentism and later a conspicuous Francoist got it absolutely right. Oriol Bohigas, from a Catalanist and cosmopolitan progressivism, for years brought light and colour, renewed airs, openness and risk to the Catalan culture of the late Francoist period, of the democratic opening, and beyond. His adherence to Catalanness was not defensive, in the victimistic manner. On the contrary: he never asked for permission to make Barcelona, and through it Catalonia and its culture, an international capital from which to dialogue with the world, a dialogue that he himself engaged in in the field of architecture with great figures, from Foster to Isozaki, from Gregotti to Aulenti, and so many others.

Bohigas is the architect of the new democratic Barcelona that came to fruition with the Olympic project
But, specifically, what do we owe Bohigas? The list is overwhelming. We owe him, first of all, the new democratic Barcelona that came to fruition and made a great leap forward with the Olympic project: that of the recovery of the historic centre, that of the new centralities and the dignification of the neighbourhoods, that of the opening up to the sea, that of the hard squares and green spaces, that of the ring roads. In short, the Barcelona of quality public spaces, clean facades and civic ambition. It was he who led the city’s new urban planning with the mayors Narcís Serra and Pasqual Maragall. And it wasn’t just him: his influence in the urbanistic and architectural field already came from afar, from the School of Architecture, of which he was the alma mater and director before joining the City Council.

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Villa Olímpica de Barcelona’92 Urban planning by Josep Martorell, Oriol Bohigas, David Mackay y Albert Puigdomenech.

In addition to becoming a point of reference for the new generations of architects, he was also for decades the main point of connection of Catalan architecture – together with names like Bofill, Correa, Solà Morales, Tusquets and a large etcetera – with the world, somehow taking over from the exiled Josep Lluís Sert, the living soul, until his death in 1983, of the historic GATCPAC, which Bohigas and the entire R Group were responsible for vindicating through another figure: Coderch de Sentmenat.

And to all this we must add the work of his office, MBM, with his partners and friends Josep Martorell and David Mackay, which built a very long list of emblematic buildings, from the Meridiana building to the Garbí and Thau schools, including the Palau Nou de la Rambla (the one that reveals the bell tower of the church of el Pi), the controversial extension of the Corte Inglés in Plaça Catalunya or the building of the Design Museum in Plaça de les Glòries, among many others.

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Escorial housing 1967. MBM Arquitectes

More than an architect and town planner an intellectual and politician Oriol Bohigas deserves our most sincere and joyful homage. May his republican spirit continue to enlighten us for many years to come.

 

Full article CONTENT DEVELOPED BY Ignasi Aragay

 

 

 

 

 

Cobus Bothma at IAAC Lecture Series

IAAC Lecture Series – Virtualising Architecture – Global collaborative design at KPF

30th November at iaac lecture series Cobus Bothma with the lecture “Virtualising  Architecture”, with the democratisation of technology and advanced functions in many industries, computational tasks in architectural design have remained in the hands of a few super users until recent years. The KPF (Kohn Pedersen Fox) Advanced Technology Group is developing intuitive design processes for distributed location-independent design, with enhanced levels of immersion, enabling more designers to perform higher-level functions required by the modern design process. This presentation will show how we develop and adopt remote geometry, and visual compute tools and expand our global infrastructure to continue delivering award-winning architectural designs.

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About Cobus Bothma

With a background in industrial design, Cobus brings over 30 years’ experience in architectural and product design from across multiple industries. As a director at KPF, Cobus is involved in many aspects of advanced design, visualisation, complex geometry and fabrication. Through KPF Applied Research, he applies computational, cognitive, and visual design workflows to enhance the design, review and fabrication processes internally and for their clients.

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Cobus has led KPF’s partnerships with some of the world’s leading technology companies. His work with these companies includes developing, testing and implementing new hardware, applications and workflows. This work continues to grow KPF’s design capabilities globally, to improve the buildings and cities we design and enhance the lives of the people who use them. It is also shaping the direction of the broader development of the AEC industry. A recognised authority in the field, Cobus is a frequent speaker at academic institutions and leading cross-industry technology events on advanced geometry and visual computation.

Lecturer: Cobus Bothma

Date: Tuesday, November 30th, 2021 at 9:30 CET

Location: IAAC – Pujades 102, Poble Nou, Barcelona

Arquinset: «L’interiorisme a Catalunya avui (2000-2020)»

La sèrie de conferències Arquinset 2021, organitzades per ARQUIN-FAD, arriba a la seva fi. Han estat 5 conferències en les que s’ha explorat el tema de l’interiorisme a Catalunya intentant posar de relleu els seus orígens, el seu passat més gloriós, les fases d’experimentacions i aportacions i, finalment, les obres de consolidació de la disciplina ja ben entrat el segle XXI. I volem fer-ho, com sempre, amb una mirada posada en les obres guardonades amb el Premi FAD d’Interiorisme des del 1958 fins a avui.

Arquinset’21 es un cicle de conferències organitzades per ARQUIN-FAD, que, com associació dedicada a la promoció de la qualitat en l’espai arquitectònic, interior i exterior, ha iniciat aquesta historiografia de l’interiorisme a Catalunya a través de 5 conferències.

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La quinzena edició del cicle de conferències Arquinset’21 explorarà el tema de l’interiorisme a Catalunya, des d’un punt de vista historiogràfic i també actual, posant en contraposició i diàleg les realitzacions de l’interiorisme català clàssic i les obres dels interioristes més actuals. Desprès de les 4 trobades anteriors tanquem el cicle amb la conferència «L’interiorisme a Catalunya avui (2000-2020)» a càrrec de Tomàs López, interiorista , professor i fundador de l’estudi Tomàs López DESIGN.

Des de l’any 2007 l’ARQUIN-FAD organitza l’Arquinset un esdeveniment anual que uneix territori i cultura arquitectòniques amb l’objectiu principal de convertir-se en un punt de trobada entre els professionals de l’arquitectura i l’interiorisme amb la societat, així com de fomentar el debat i sensibilitzar sobre la cultura arquitectònica i d’altres disciplines de l’espai.

L’acte tindrà lloc presencialment amb registre previ obligatori . Per tal de complir el protocol sanitari contra la Covid-19, cada assistent haurà dereservar l’entrada amb les seves dades personals (no s’admetrà la duplicitat d’entrades amb el mateix nom).
Les conferències del cicle es gravaran i seran penjades al canal de Youtube d’ARQUIN-FAD.

Horari: de 19 a 21 h al Centre de Documentació del Museu del Disseny. Plaça de les Glòries Catalanes, 37 planta -1. Barcelona

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Arquinset’21 Els increïbles anys noranta (1985-2000)

Avui 15 de Novembre continua el cicle de conferències d’Arquinset amb la quarta conferència ‘‘Els increïbles anys 90 (1985-2000)” a carrec de Alfredo Arribas. Arquinset’21 es un cicle de conferències organitzades per ARQUIN-FAD, que, com associació dedicada a la promoció de la qualitat en l’espai arquitectònic, interior i exterior, ha iniciat aquesta historiografia de l’interiorisme a Catalunya a través de 5 conferències.

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Des de l’any 2007 l’ARQUIN-FAD organitza l’Arquinset un esdeveniment anual que uneix territori i cultura arquitectòniques amb l’objectiu principal de convertir-se en un punt de trobada entre els professionals de l’arquitectura i l’interiorisme amb la societat, així com de fomentar el debat i sensibilitzar sobre la cultura arquitectònica i d’altres disciplines de l’espai.

La quinzena edició del cicle de conferències Arquinset’21 explorarà el tema de l’interiorisme a Catalunya, des d’un punt de vista historiogràfic i també actual, posant en contraposició i diàleg les realitzacions de l’interiorisme català clàssic i les obres dels interioristes més actuals. Desprès de les 3 trobades anteriors avancem en el temps amb la conferència «Els increíbles anys 90 (1985-2000).  Será l’arquitecte Alfredo Arribas qui ens parli d’aquest període.

L’acte tindrà lloc presencialment amb registre previ obligatori . Per tal de complir el protocol sanitari contra la Covid-19, cada assistent haurà dereservar l’entrada amb les seves dades personals (no s’admetrà la duplicitat d’entrades amb el mateix nom).
Les conferències del cicle es gravaran i seran penjades al canal de Youtube d’ARQUIN-FAD.

Horari: de 19 a 21 h al Centre de Documentació del Museu del Disseny. Plaça de les Glòries Catalanes, 37 planta -1. Barcelona

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Responsive Cities Symposium 2021

RESPONSIVE CITIES SYMPOSIUM 2021: DESIGN WITH NATURE

The Institute for Advanced Architecture of Catalonia (IAAC) is conducting the final symposium of the BUILD Solutions Project in Barcelona to be held from the 11th-12th November 2021. Responsive Cities is a bi-annual international symposium on the future of cities organized by the Advanced Architecture Group of IAAC.

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The 2021 edition focuses on “Design with Nature” and takes place within the framework of the Building Urban Intelligent Living Design Solutions (BUILDs) project, co-funded by the Erasmus+ Programme of the European Union and developed by the Institute for Advanced Architecture of Catalonia – IAAC- (Spain), Université de Lorraine -UL- (France), Vienna University of Economics and Business -WU- (Austria), Ersilia Foundation (Spain), ECONICK (France), Plant-e (Netherlands), City Facilitators -CF- (Denmark), and GreenTech Challenge -GTC- (Denmark).

Despite cities having strengthened their economy, efficiency, and liveability over the last decades, they are still facing major issues such as pollution, rising inequities, and unemployment. These already harmful conditions are furthermore aggravated by catastrophic events such as the current pandemic. New planning paradigms that recognize the importance of ecology to respond to these challenges are being developed, by integrating living systems in urban environments aimed at improving cities’ socio-economic and environmental conditions.
Living systems integrated in cities are also known as Nature-Based Solutions (NBS), defined as “living solutions inspired by, continuously supported by, and using nature, which are designed to address various societal challenges in a resource efficient and adaptable manner and to provide simultaneously economic, social, and environmental benefits” (European Commission, 2015). NBS can help address several challenges through the provision of multiple ecosystem services such as life support (soil formation and oxygen production); procurement (production of food, drinking water, raw materials or fuel); regulation (climate control and tidal waves, water purification, pollination); and cultural values, including the aesthetic, educational, and recreational values. Design-optimized strategies can help reintegrate nature in cities by transforming urban spaces into liveable, productive, and biodiverse systems.

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Arquinset’21: «1968-1975, Correa Milá des de l’usuari»

Avui 8 de novembre es repren el cicle de conferències d’Arquinset amb la tercera conferència ”1968-1975, Correa Milá des de l’usuari” a carrec de Ivan Pomés. Arquinset’21 es un cicle de conferències organitzades per ARQUIN-FAD, que, com associació dedicada a la promoció de la qualitat en l’espai arquitectònic, interior i exterior, ha iniciat aquesta historiografia de l’interiorisme a Catalunya a través de 5 conferències.

Desprès de reflexionar sobre el origen de l’interiorisme i de la influència d’altres països en la configuració de l’arquitectura interior a Catalunya, la tercera conferència ”1968-1975, Correa Milá des de l’usuari” comptarà amb Ivan Pomés, arquitecte i professor, cofundador de l’estudi d’arquitectura i interiorisme Llamazares Pomés Arquitectura.

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Restaurant Flash Flash. © Cecilia Diaz Bezt

Federico Correa i Alfonso Milà, són part d’aquella generació que situada entre les grans figures de la primera generació del Moviment Modern a Catalunya i l’actualitat. La seva obra és un reflex de com han interpretat l’herència arquitectònica dels grans mestres de l’arquitectura catalana amb els que varen estar en contacte ,i per tant, ens dóna una idea de com s’ha produït l’evolució de l’arquitectura catalana fins als nostres dies.

De la seva trajectòria professional com arquitectes, destaquen edificis com la Torre Atalaya, la reforma de la Plaça Reial o l’Estadi Olímpic de Barcelona, però també s’ha de destacar la seva vessant d’interioristes, amb projectes com el restaurant Flash-Flash, el restaurant Il Giardinetto o les botigues Furest de Barcelona, tots ells punts de referència a l’historia de l’interiorisme català.

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Restaurant Il Giardinetto, Barcelona

La conferència ”1968-1975, Correa Milá des de l’usuari” a carrec de Ivan Pomés tindrá lloc el 08-11-2021 a les 19.00h al Centre de Documentació del Museu del Disseny de Barcelona.

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Orin Hardy at IAAC Lecture Series

IAAC Lecture Series – Orin Hardy ”Building a Bamboo University”

Join us as Orin Hardy, Co-founder of Bamboo U, presents how extraordinary bamboo structures came to be in Bali, and what they can teach us about design and architecture.

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Learn what bamboo has to teach us about design and construction and why it can help achieve a more regenerative world. This giant grass, that was once considered to be a poor man’s timber is now considered by many as the sustainable timber of the future. Bamboo is the poster child of eco-architecture. It is fast growing, strong, abundant, and beautiful. But how practical is it to use in the modern world? What are the opportunities and limitations of this material? This lecture will reflect on the lessons learned from 10+ years of building innovative structures out of bamboo, and how it led to the development of Bamboo U. A hands-on learning campus for bamboo education, building and design. Bamboo U shares its process and knowledge with students and professionals from around the world to inspire designers to create a world that is sustainable, abundant and beautiful.

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Orin Hardy is the co-founder of Bamboo U and the Kul Kul Farm, two sustainability education enterprises in Bali. He dedicates his time to creating spaces and opening up new possibilities for people to live lives closer to nature and themselves. Combining his international expertise with local knowledge, Hardy facilitates and teaches courses related to permaculture design, gardening and bamboo construction.

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Along with his team, Hardy has welcomed hundreds of people from all over the world to participate in these programs. Raised in a Balinese village surrounded by rivers and jungle, he then moved to North America where he witnessed this disconnect between humans and nature in the modern world. He now spends his time devoted to reconnect people with nature. His most recent endeavours have been to tackle the challenge of bringing Bamboo U online in order to adapt to the realities of a world grappling with the Covid-19 pandemic.

Lecturer: Orin Hardy

Date: Tuesday, November 2nd, 2021 19:30 CET

Location: IAAC – Pujades 102, Poble Nou, Barcelona

Register here

Arquinset’21: «Interiorisme»

L’interiorisme català, a debat en una nova edició de l’Arquinset’21

La quinzena edició del cicle de conferències Arquinset’21 explorarà el tema de l’interiorisme a Catalunya, des d’un punt de vista historiogràfic i també actual, posant en contraposició i diàleg les realitzacions de l’interiorisme català clàssic i les obres dels interioristes més actuals.

Avui a les 19h al Centre de Documentació del Museu del Disseny Plaça de les Glòries Catalanes, 37-38, tindra lloc la conferència ”La influència de l’arquitectura italiana, anglesa i americana en la configuració de l’arquitectura interior a Catalunya (1950-1970)” a càrrec de Sara Coscarelli, doctora i dissenyadora d’espais, coordinadora del Màster en Disseny d’Espais, professora i investigadora a Eina, que ens parlarà de com van influir altres països en la configuració de l’arquitectura interior a Catalunya.

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L’interiorisme és una disciplina que ha tingut una història força particular al nostre país. Per començar, la denominació interiorisme —ja de per si una paraula pròpia catalana—, va néixer al mateix temps en català i castellà. Importada des d’Itàlia els anys cinquanta, es tractava d’una  una determinada manera d’entendre l’espai interior dels habitatges, dels espais comercials i dels espais de treball. Es va anar configurant al voltant d’uns professionals avui convertits en ídols i mites: Federico Correa i Alfonso Milà, Eduard Samsó i Alfred Arribas, o Dani Freixes són algunes de les figures que han construït aquesta particular història, avui molt desconeguda. Amb ells, i centenars d’altres, l’interiorisme adquirí una entitat pròpia, tan important que, quan el Foment de les Arts Decoratives instituí els Premis FAD, anomenà les categories «arquitectura» i «interiorisme», i, des de l’inici, aquests premis han conservat aquest nom.

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Estació de metro L9 Barcelona. Garcés, de Seta, Bonet Arquitectes © Adrià Goula

La important tradició de l’interiorisme al nostre país, però, no ha anat acompanyada per un interès de la historiografia del disseny i de l’arquitectura existents. En aquests moments, hi ha disponibles poquíssimes obres de referència, manuals o altres fonts bibliogràfiques sobre el tema, fins al punt que podríem dir que ha estat una disciplina «abandonada» i que, amb el pas del temps, ha anat perdent gran part de les seves obres sense que ningú se’n preocupés.

ARQUIN-FAD, com a associació dedicada a la promoció de la qualitat a l’espai arquitectònic,  interior i exterior, té un gran interès a iniciar aquesta historiografia de l’interiorisme al nostre país. I vol fer-ho amb aquestes xerrades, que intentaran posar en relleu els seus orígens, el seu passat més gloriós, les fases d’experimentacions i aportacions i, finalment, les obres de consolidació de la disciplina ja ben entrat el segle xxi. I volem fer-ho, com sempre, amb una mirada posada en les obres guardonades amb el Premi FAD d’Interiorisme des del 1958 fins a avui.

Les conferències del cicle es gravaran i seran penjades al canal de Youtube d’ARQUIN-FAD.
Mès

 

 

48h OPEN HOUSE BCN

El 23 y 24 de octubre se celebra el festival de arquitectura 48h OPEN HOUSE BCN, un fin de semana de puertas abiertas a muchos tipos de edificios diferentes, dirigido a los habitantes de la ciudad de Barcelona y totalmente gratis. Su vocación es implantarse transversalmente en la sociedad y el territorio. Los ciudadanos de cada distrito podrán conocer el patrimonio más cercano y el más lejano, el particular y el público, y situarlo dentro de la experiencia y la historia de cada uno, aprendiendo a quererlo.

La programación del festival de arquitectura 48h Open House BCN 2021 destaca el tema de la arquitectura mediterránea, una tradición arquitectónica vernacular, de raíces populares y anónima que se ha interpretado y adaptado a las nuevas realidades.

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La arquitectura mediterránea desarrolló características tipológicas propias y técnicas constructivas arraigadas al lugar. En cuanto a las tipologías, encontramos ejemplos como la casa mediterránea, que se caracterizaba por tener unas dimensiones humanas (con espacios de proporciones domesticadas que tenían en cuenta el comportamiento de las personas).

Como novedad de este año, el festival destaca la obra del arquitecto José Antonio Coderch de Sentmenat, alumno de J.M. Jujol, que modernizó la tradición arquitectónica mediterránea adaptándola a los parámetros del movimiento moderno. Este arquitecto fusionó la funcionalidad de la arquitectura rural con las técnicas constructivas del momento sin perder su esencia, consciente de que los valores vernáculos definen la memoria colectiva y son un buen fundamento para el futuro.

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Además la edición de este año del festival de arquitectura 48h Open House BCN se suma a las actividades que se están llevando a cabo en el territorio en homenaje al arquitecto Enric Miralles, una de las figuras más emblemáticas de la arquitectura catalana contemporánea, del cual se conmemoraron los veinte años de su fallecimiento en 2020. Por una parte, organiza el itinerario Open Sketch con un recorrido a través de su obra en Barcelona, resaltando la importancia del lenguaje del dibujo en la representación de los proyectos de este arquitecto. Por otra parte, ofrece una programación para destacar su trayectoria profesional y la continuidad de pensamiento en sus discípulos.

Finalmente, el festival se suma a eventos de actualidad, como Barcelona Capital Mundial de la Alimentación Sostenible 2021 (organiza visitas a edificios como el Campus de la Alimentación de la UAB, en el recinto de Torribera, en Santa Coloma de Gramenet).

En resumen, lo que perdura en el tiempo tiene un significado cultural, la arquitectura es cultura, y el fin de semana del 23 y 24 de octubre disfrutaremos de nuevo de la arquitectura de nuestras ciudades.

Más

Barcelona Design Week ’21

An October full of design all around the city with the Barcelona Design Week ’21.

From October 7th to 30th the BDW City Festival, Barcelona Design Week ’21 is being held, with a programme of activities addressed primarily to the general public.

As the name of this second edition indicates, the festival will extend all around Barcelona in order for the public to enjoy the city’s creative potential. And within the framework of this event, the Districtes Disseny (“Design Districts”) programme has been set in motion as an initiative for involving different agents of the city in this festival.

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By means of a call to participate in it, the programme of the BDW City Festival has been filled with exhibitions, talks, workshops and presentations related with design, creativity and innovation which will take place in different spaces of the districts of Barcelona: galleries, shops, showrooms and design studios, among others. Special attention must also be drawn to the urban installation The Design Cubes in the Diagonal, composed of eight cubes located along the Avinguda Diagonal aimed at explaining the role of design in our everyday lives and highlighting the singularity of Barcelona and its spaces.

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© Mertixell Arjaleguer

In total, the BDW City Festival will include around eighty activities, most of them presential, to be held in spaces like La Farinera of El Clot, the Roca Barcelona Gallery, the Galeria Il·lacions, La Muriel, Cal Tip and MINIM, in addition to the Design Museum and the Disseny Hub Barcelona, which will host conferences and workshops like ‘Live Research: Who is designing the cities of 2050?’, B Citizen Lab and Digital Trends 22/23, with the participation of Simon, a winner of the National Design Prize awarded by the Ministry of Economy, Industry and Competitiveness. A special mention should also be made of the two activities organised by Kave Home, a Mediterranean brand of furniture design and decoration which makes sustainability one of its essential traits. A conference will be held on the 20th and a workshop on the 26th.

blankAs a new feature, this year the BDW City Festival presents the Food Design Week, with a series of activities on food design for all types of public, from families and people interested in the culinary world to students and professionals, with workshops, exhibitions and talks on art and gastronomy. Alongside the Food Design Week, other very interesting proposals are:

–        Live Research: Who is designing the cities of 2050?

–        Escofet Air Collection Installation

–        The technology designing the sport of the future

–        B Citizen Lab

–        Design Trends 22/23

–        Award ceremony of jumpthegap® prizes

–        Exhibition “Ideas for Humanity: Recipes for the Health of the Planet”

Under the motto “Think, Design, Act”, this edition of the BDW has been held in a hybrid format and in two different periods. The first, addressed to the professional public, took place from June 7th to 17th, and now this second block concludes an edition which aims to have an impact on the design and implementation of more sustainable models and settings which will be economically viable and focussed on people’s true needs.

The Barcelona Design Week is organised by the Barcelona Design Centre and has the support of the Barcelona City Council and the principal collaboration of the FAD Promotion of the Arts and Design and the Barcelona Design Museum.

 

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