Poblenou: from the industrial to smartcity

Poblenou, from Barcelona’s old industrial centre to new business, innovation and tourist district.

El Poblenou is a northern neighborhood of Barcelona, contained within the district of Sant Martí. Our BARCELONA & THE FUTURE is an urban walking reflection on the main aims of urbanism and how they have been applied in the 22@ district in Poblenou. This was once a neighborhood full of small factories that is now being revitalized in an attempt to recapture the spirit of it’s industrial heyday.

But, what makes Poblenou so special? Today we want to tell you something more about the history of this neighbourhood.

Historically known as the ‘Catalan Manchester’ for its role as the city’s industrial centre in the 19th and early 20th century, nowadays it is becoming a very attractive place to live for many young people. Strongly revitalised after the 1992 Olympic Games and currently characterised by a rich architectural landscape and vibrant artistic scene, it is the city’s new business and technology district, being also very interesting for tourists willing to step outside of the usual routes.

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During the Industrial Revolution Poblenou became an industrial hub

The land that El Poblenou occupies was once marshy, which is recalled by Llacuna street and metro station (Llacuna is Catalan for lagoon). Between the 12th and 13th centuries, the area was used to farm cattle and some masías (farmhouses) were built. Until the eighteenth century the land was only used for agriculture.

During the Industrial Revolution, Poblenou played a central role, becoming the cornerstone of not only Catalan but also Iberian industry, particularly in the textile sector, so as to earn the nickname ‘Catalan Manchester’. Among the factors promoting this change were: the presence of extensive and cheap land and the proximity to Barcelona’s harbour. Poblenou became the industrial neighbourhood of the city and people started living here. A railway connecting Barcelona to Mataró was built” in 1848, the first railway in the Iberian Peninsula.

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The 1992 Olympic Games triggered Poblenou’s rebirth

After a period of decay, Poblenou underwent a further dramatic transformation, with the 1992 Olympic Games being the main trigger for this, recovering the area and opening the entire city to the sea. Most of the factories and train lines next to the seafront were torn down while those in good shape and located throughout the district were mostly preserved. Many new areas were developed such as the Vila Olímpica (the residential area for the athletes during the Olympics), and new artificial beaches were built. The Vila Olímpica also became the first residential area built next to the city’s coastline, besides the old fishing neighbourhood of Barceloneta. Also, in 1999, the Diagonal Avenue, which previously stopped at Glòries Square, was stretched to the sea and the new Diagonal Mar and Fòrum areas.

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The neighbourhood’s revitalisation continues with the 22@ Plan

Poblenou’s revitalisation continues with a new plan – called 22@ – aimed at reviving the entire area through the creation of a two-hundred-hectare technological and innovation district, which was definitively approved by Barcelona’s City Council in 2000. The aim was to attract local and international companies, mostly working in the technology and creative sectors, along with the development of residential and leisure zones.

Today the 22@ District plays host to universities, research and training centers, startups and cutting-edge technology companies alike.  Since 2000, more than 3,500 businesses have moved to the innovation district and, with the almost 100,000 employees working there, Poblenou has witnessed a nearly 25% increase in residents.

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With our BARCELONA & THE FUTURE walking tour, you will discover so much more about this special district and we rub shoulders with architecture’s brightest stars, we’ll talk about independence, patents, parametric architecture, cradle to cradle, superblocks, the carbon footprint and, of course, Ildefons Cerdà, the Master and Founder of Barcelona’s gridded plan.

Book here

IAAC Masters Open Day

IAAC Masters Open Day: Join IAAC for a Life Changing Experience!

The Institute for Advanced Architecture of Catalonia prepares itself to host the first appointment with the 2020 Masters Open Day, inviting you to discover one of the most advanced European Centres for Education, Research and Fabrication located in Barcelona.

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The event, to be celebrated in IAAC’s Main Hall on Friday 24th of January 2020, will give to candidates interested in pursuing their postgraduate studies in IAAC the chance to discover the Institute and the Fab Lab Barcelona, receive a presentation about the Educational Programmes and meet Faculty and Alumni.

From 5:00 to 7:00 pm, there will be separate desks for each Educational Programme, where the detailed information about the application process and the educational curricula will be offered with a personalised attention and service.

The event will be open to perspective students with online registration, save your place by clicking on the link below!

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Arquitectos «made in Spain»

La lista de españoles que triunfan en el exterior se amplía con interesantes nombres. Hoy presentamos 5 proyectos de arquitectos españoles, son algunos de los edificios extranjeros «made in Spain» de los últimos decenios más sobresalientes.

Rijksmuseum, de Cruz y Ortiz (Ámsterdam)

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Arquitectos: Cruz y Ortiz. Año de construcción: 2013.
Lugar: Ámsterdam (Holanda).
Los sevillanos Antonio Cruz y Antonio Ortiz afrontaron la compleja y minuciosa tarea de reformular el museo proyectado a finales del XIX por el arquitecto holandés Pieter Cuypers y que estaba ejerciendo la doble función de servir como pinacoteca y elemento de conexión entre el norte y el sur de Ámsterdam. El ajuste del edificio a ese papel urbano conector y sus necesidades como ámbito expositivo había obligado a construir elementos que perjudicaban la penetración de luz natural y la fluidez de recorrido por los espacios interiores. Con su intervención, los españoles restituyeron la exquisita calidad del espacio original.

Parlamento de Escocia, de EMBT (Edimburgo)

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The Garden Lobby of the Scottish Parliament, Edinburgh, Scotland UK Pic-AndrewCowan/Scottish Parliament

Arquitectos: EMBT. Año de construcción: 2004. Lugar: Edimburgo (Escocia).
Enric Miralles falleció abrupta y prematuramente en 2000, sólo dos años después de haber ganado el concurso para el diseño de la sede del parlamento escocés. Benedetta Tagliabue asumió la tarea de llevar adelante y culminar la construcción de este complejo edificio que, a través de su directa conexión con el suelo, como si apareciera de la piedra viva, aspiraba a transmitir el espíritu local, marcando asimismo una nítida yuxtaposición respecto a Holyrood Palace, la residencia real del siglo XII que domina el paisaje de la urbe. Sin duda, el resultado final es una sucesión de gestos mirallescos.

Museo Soulages, de RCR

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Pic. Hisao Suzuki

Arquitectos: RCR Arquitectes. Año de construcción: 2014. Lugar: Rodez (Francia).
Este es posiblemente uno de los más interesantes edificios del estudio galardonado con el premio Pritzker en el año 2017, que razona además desde su narrativa característica: crear una vinculación, una forma de indisolubilidad, entre paisaje y arquitectura. En el caso del Museo Soulages, en Rodez, la idea va más allá de la mera y vanidosa retórica y se ve consistente y auténticamente materializada.
Asimismo, se agrega al binomio el concepto de «obra de arte», ya que el edificio alberga el trabajo de Pierre Soulages, conocido como «el pintor de la luz», nacido en esta misma localidad y de quien RCR Arquitectes reconocen como una influencia en su manera de construir.

Centro Cultural de Castelo Branco, de Josep Lluís Mateo

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Arquitecto: Mateo Arquitectura. Año de construcción: 2013. Lugar: Castelo Branco (Portugal).
Josep Lluís Mateo es catedrático emérito de la ETH de Zúrich. Con un vistazo al mapa de su obra construida, se podría decir que es uno de los arquitectos españoles más europeos. Planteó este edificio como un objeto flotante sobre una plaza, concebida como una topografía dibujada en relación a un movimiento acuático y construida con piedras que trazan un patrón abstracto. El proyecto constituía la continuación de un segundo en la misma
ciudad: la remodelación de la Praça Largo da Devesa.
Aquí, el edificio flotante permite que la plaza pase bajo el mismo y genere una construcción unitaria y continua.

Torre Itaim, de b720 (Sao Paulo)

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Arquitectos: b720. Año de construcción: 2018. Lugar: Sao Paulo (Brasil).
El estudio dirigido por Fermín Vázquez y Ana Bassat ganó en 2019 el premio al mejor rascacielos del mundo inferior a 100 metros, otorgado por el CTBUH, con esta torre. El edificio alberga 123 apartamentos de 30 m2, asentados sobre un zócalo de aparcamientos y espacios comunes dispuestos en una planta intermedia diferenciada que divide la edificación en dos partes. El desafío del proyecto fue construir en un solar de dimensiones muy restrictivas.
El objetivo fue maximizar las dos direcciones principales de visión sobre la ciudad para cada apartamento y generar vestíbulos comunes –y ascensores– también con vistas.

 

Foros 2020 lecture series

The Foros 2020 series of lectures organised by the UIC Barcelona School of Architecture, the essential annual event in the field of architecture and urban planning, begins a new edition in early 2020 that will run from 29 January through to 29 April.
Under the heading of “co-benefits”, Foros 2020 aims to consider the links and the processes of cultural interaction between contemporary architecture and other artistic manifestations such as dance, sculpture, film and comedy.

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The series will be managed for the second year running by lecturers Guillem Carabí and Fredy Massad. “In the same way that contemporary art, in all its different manifestations, often takes ownership of architectural elements, devoid of any connotations of habitability, architecture also feeds from the different artistic disciplines to reclaim its emotional character and thus recover some of the bonds it has lost with its users,” they explain.

The series kicks off on 29 January with a lecture by the well-known caricaturist and architect Klaus (Koldo Lus Arana). Since he launched his blog, Klaustoon, ten years ago, Klaus has stood out for his biting criticism of the architectural status quo. His work has been published in numerous architectural magazines and shown in both solo and group exhibitions. As a lecturer at the School of Engineering and Architecture (EINA) at the University of Zaragoza, he studies the interactions between architecture and the media, as well as urban visions of the future in architecture and the visual arts.

The second lecture will take place on 12 February, given by MADOLA (M. Ángeles Domingo Laplana), a plastic artist with a PhD in Fine Arts based in Premià de Dalt; she is a member of the International Academy of Ceramics and the Work-Craft Council, which is based at UNESCO in Paris. Madola is known for her large-format ceramic works in public spaces, some of her most notable interventions being the Plaça de la Font Castellana in Barcelona, the Rotonda Blava in Premià de Mar and the “Organic” installation in the Design Museum of Barcelona.

On 26 February, Carme Torrent will give a performance-based lecture. The Catalan artist has many years of experience as a performance artist for choreographers of the stature of Min Tanaka, Carmelo Salazar and Xavier Le Roy, and has participated in many programmes for exhibition spaces worldwide.

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Xmas tours images

Today we want to share some images from our Xmas tours. We are very proud because many travellers have been walking with us on these holiday weeks and have enjoyed Barcelona through our Walking Tours… This is our aim, to present the essence of Barcelona to the larger public.
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The beginning  of a new year is a great time to start new projects! Everyone gets back to work with more energy and enthusiasm. It was a pleasure to walk with you and let you immerse with our Xmas tours, in a city that will not leave you indifferent.
Thank you so much for choosing us to discover Barcelona, as you can see in this amazing images our walkers have a good time with us!!!
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Walking with Barcelona Architecture Walks and you will discover the spirit of the city that dazzles many visitors and that we’re in love with! And this Winter Barcelona Architecture Walks has all their tours ready to help you discover our city from a new perspective.
And here our 5 regular tours for the 2020 season:

BARCELONA & GAUDI a great start to discover the genius of Gaudí.

BARCELONA & THE FUTURE CITY walk through the smart-city looking for our Future and discover with us the new Superblock at Poblenou.

BARCELONA & GOTHIC TO MODERN see Barcelona through the eyes of Enric Miralles.

BARCELONA & THE SEA  discover Barcelona through its architecture.

BARCELONA & THE URBANISM travel with us to the origins of the modern Barcelona.

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And in addition we have other 5 special tours:

BCN & SAGRADA FAMILIA. On this special four-hour tour, you will enjoy two of the most emblematic and most visited monuments in Barcelona led by an official tour guide that specializes in “Modernismo”.

BCN & LANDSCAPE coach tour of the largest urban parks in Barcelona.

BAW & RCR a full day coach excursion to see the most emblematic works of the RCR studio, awarded with the Pritzker of Architecture 2017.

BCN & MODERNISME  4-5 h expedition, during this tour we will see all the structures of the BARCELONA & GAUDI plus the area of the 1888 exhibition.

BCN & BARCELONA 1929 a tour discovering the projects that were made for the transformation of Barcelona on the occasion of the Universal Exhibition of 1929.

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Each route is driven by a set of themes and concepts that decode the city whilst stimulating new ways of thinking about and seeing Barcelona. Come and walk with us and live a fantastic experience!!!

BOOK NOW!

Victor Papanek exhibition

Victor Papanek: The Politics of Design exhibition at DHUB

The exhibition Victor Papanek: The Politics of Design at the Museu del Disseny de Barcelona, is the first big retrospective on the designer, author and activist Victor J. Papanek (1923-1998).

What role should design and designers play in the contemporary world to be truly useful to society? This question has been the focus of widespread debate in recent decades and a reflection made by Victor Papanek, a pioneer of contemporary design and one of the most influential harbingers of social activism and sustainability in design. The ideas and questions addressed by Papanek in the 1960s remain extremely relevant for design and constitute the essence of critical, social, inclusive and interdisciplinary design.

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Victor J. Papanek »Tetrakaidecahedral«, 1973-1975 (movable playground structure, designed with a student, parents, teachers and children) © University of Applied Arts Vienna,Victor J. Papanek Foundation

Papanek is the author of the book Design for the Real World (1971), still the most widely read book on design. The work is a call for inclusion, social justice and sustainability, topics which continue to be hugely relevant for design today.

This exhibition explores Papanek’s life and work through an extensive series of original, evocative pieces from the archive of the Victor Papanek Foundation and some objects from some of his contemporaries such as Buckminster Fuller and the radical group Global Tools, among others. Papanek’s ideas and their lasting impact can also be found in the 21st century in projects by various international designers and artists linked to the sphere of critical, social and activist design.

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Victor J. Papanek filming the WNED-TV Channel 17 programme Design Dimensions in Buffalo, NY (1961 – 1963). © University of Applied Arts Vienna, Victor J. Papanek Foundation

The display is organised by topics based on the work of Papanek and his contemporaries, including policy on data and the media, digital social structures, biotechnology, design methodology, sustainability and social inclusion with an underlying reflection: the importance of design as a political tool.

This exhibition is a cooperation between the Barcelona Design Museum and the Vitra Design Museum, in collaboration with the Victor J. Papanek Foundation, University of Applied Arts Vienna.

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Victor J. Papanek. We are all handicapped, section from Big Character Poster No. 1: Work Chart for Designers (1973, drafted in 1969). © University of Applied Arts Vienna, Victor J. Papanek Foundation

Keynote speech (Prof. Alison J. Clarke and Amelie Klein): October 30 th 2019 at 6 pm.
CURATOR
Alison Clarke (Victor J. Papanek Foundation, University of Applied Arts Vienna), Amelie Klein (Vitra Design Museum).

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Lydia Kallipoliti Lecture

The Cooper Union, Lydia Kallipoliti lECTURE at IAAC Lecture Series 2020

Lydia Kallipoliti is an architect, engineer and scholar. She holds a Diploma in Architecture and Engineering from the Aristotle University of Thessaloniki (Greece), a SMArchS in design and building technology from M.I.T, as well as a Master of Arts and a PhD from Princeton University.

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Prior to Cooper Union, Kallipoliti was an Assistant Professor at Rensselaer Polytechnic Institute where she directed the MSArch Program, an Assistant Professor at Syracuse University and an Assistant Professor Adjunct at Columbia University [GSAPP] and at the Cooper Union, where she served as a Senior Associate at the Institute for Sustainable Design, and as the Feltman Chair in Lighting.

Her research focuses on the intersections of architecture, technology and environmental politics and more particularly on recycling material experiments, theories of waste and reuse, as well as closed and self-reliant systems and urban environments.

IAAC Lecture Series 2019/20

10th of January 2020
Lydia Kallipoliti
The Cooper Union

The Architecture of Closed Worlds

@ 19.30, IAAC Auditorium
Free and Open to the Public

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Who is Enric Miralles?

 

Barcelona is a city full of good architecture. That is why we often mention by name the architects who were instrumental in making Barcelona the diverse and cosmopolitan city it is today. Along with Gaudi and the other modernist architects such as Montaner or Puig I Cadafalch, more contemporary architects such as Enric Miralles have also contributed to the formation of today’s Barcelona.

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Santa Caterina Market under construction © Alex Gaultier

On our tour BARCELONA & GOTHIC TO MODERN we explore the ideas and mindset of Enric Miralles, the genius of our lifetime. He and his firm, EMBT, designed one of the most brilliant works of architecture in the city: the renovation of the Santa Caterina Market.

But, who was Enric Miralles? Today we share part of his biography, a must read for all of those who want to discover more about our favorite master architect.

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Santa Caterina Market © Alex Gaultier

Spanish designer and architect, Enric Miralles was born in Barcelona in 1955. He trained at the School of Architecture of Barcelona ETSAB until 1974. He was a guest Fulbright professor at the Columbia University during 1980-1981. His doctoral thesis was entitled “The things seen from the left to the right (without glasses)”.

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From 1973-1983 he collaborated with Albert Viaplana and Helio Piñón, and in 1985 took up his independent career. In his first creative period along with the architect Carme Pinos, he created some of his most poetic works, such as the Igualada Cemetery.

In 1993, Enric founded EMBT studio with his wife, Benedetta Tagliabue. Together they carried out many important projects, such as the redesign of the Santa Caterina Market in Barcelona or the Scottish Parliament Building, in Edinburgh, Scotland, which is considered his biggest work by the most.

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Olympic Archery Range / Enric Miralles & Carme Pinos

Miralles has been professor in the School of Architecture of Barcelona (ETSAB) in the Department of Architecture (1996), director and lecturer in the Städleschule of Frankfurt-am-Main (1990), professor at Harvard University, in the Chair Kenzo Tange (1992). He has been also host professor and lecturer in several universities of the United States, Germany, UK, Italy, The Netherlands, and finally, member of the Royal Incorporation of Architects in Scotland.

Among other awards, Enric Miralles received the National Architecture Prize in 1995, awarded by the Ministry of Culture, and in 1996 he has been honoured with the ‘Golden Lion’ at the Venice Architecture Biennale.

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Enric Miralles (Barcelona, 1955, Sant Feliu de Codines, 2000)

Considered a highly inventive architect, Enric is defined as the enfant terrible of Spanish architecture. Sadly, his prolific career and practice was cut short at its peak, when he passed away in July 2000, in Sant Feliu de Codines.

Enric Miralles was an author of sweeping buildings, a genuinely original and derived language with a deep respect for the place. He left us a lush and prolific world of architectural and intellectual work, including writings, drawings, sketches, collages, journals, and nearly a thousand original models.

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Last tour of the year!

Today we would like to share with all of you our 2019 last tour that we have put together for a group of 19 fantastic walkers from United States and Germany, with our BARCELONA & GAUDI walking tour.

Last Tuesday 31th December we made the last tour of the year with 19 persons, it was one of our BARCELONA & GAUDI tour lead by our architect Cristina Santamaría. This tour is the perfect start for any stay in our beautiful city, our aim is to delve into the architectural essence of the Master and dig deep into his visual power, which is what made him an inspiration for the Surrealists and has earned him the honor of being the Best-Known Spanish Architect.

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We are really happy to close the year with this fantastic group!!!
And here our 5 regular tours for the 2019/2020 season:

BARCELONA & GAUDI a great start to discover the genius of Gaudí.

BARCELONA & THE FUTURE CITY walk through the smart-city looking for our Future and discover with us the new Superblock at Poblenou.

BARCELONA & GOTHIC TO MODERN see Barcelona through the eyes of Enric Miralles.

BARCELONA & THE SEA  discover Barcelona through its architecture.

BARCELONA & THE URBANISM travel with us to the origins of the modern Barcelona.

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In addition we have other 5 special tours:

BCN & SAGRADA FAMILIA. On this special four-hour tour, you will enjoy two of the most emblematic and most visited monuments in Barcelona led by an official tour guide that specializes in “Modernismo”.

BAW & RCR a full day coach excursion to see the most emblematic works of the RCR studio, awarded with the Pritzker of Architecture 2017.

BCN & LANDSCAPE coach tour of the largest urban parks in Barcelona.

BCN & MODERNISME  4-5 h expedition, during this tour we will see all the structures of the BARCELONA & GAUDI plus the area of the 1888 exhibition.

BCN & BARCELONA 1929 a tour discovering the projects that were made for the transformation of Barcelona on the occasion of the Universal Exhibition of 1929.

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Each route is driven by a set of themes and concepts that decode the city whilst stimulating new ways of thinking about and seeing Barcelona. Come and walk with us and live a fantastic experience!!!

BOOK NOW!

 

 

2019 highlights news

2019 is over and we can’t wait to start the new year 2020. The beginning  of a new year is a great time to start new projects! Everyone gets back to work with more energy and enthusiasm. For this reason, we would like to share highlights from this year with you.

· Last April the BAW inaugurated an special tour that we had put together for a group of 70 architects and engineers from the German firm PNG ARCHITEKTEN office, Barcelona & highlights tour. This is a tour designed to last 4, 6 or 8 hours where we visited the most important and emblematic sites.

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· In May we launched a new special tour: Barcelona & the Sagrada Familia. A tour where you will enjoy the most emblematic and most visited monument in Barcelona led by a tour guide that specialized in “Modernismo”. On this tour of Barcelona and the church of the Holy Family you can chose the duration of the tour from 2,4,6 and 8 hours where we can also visit Park Güell, Hospital Sant Pau, Casa Mila and Casa Batllo.

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· This 2019 we are celebrating our ninth anniversary. We started with a dream nine years ago to create an exciting adventure with Barcelona Architecture Walks, with a mix of love for our city and the desire make it known to all visitors who want to leave Barcelona with a unique souvenir; an enriching walk to really get to know our city. blank

· In September we make a collaboration with CuriosityStream.com, a program that streams the world’s top-tier history, science, and nature documentaries, for the documentary “The History of the Home”.They were interested in the work of Antoni Gaudi and his importance in architectural history; which is why they contacted Barcelona Architecture Walks.

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·  A few weeks ago a prestigious program called La Maison France 5, from French TV, contacted Miel Architects, founders of BAW, to include a house restoration of theirs, in their episode on houses in Catalonia. You can see Elodie Grammont in the video next to Miguel Angel Borras, explaining in specific details how the restoration took place.

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· And our last and most important news that we would love to share is that for the 7th consecutive year we have received the TripAdvisor Certificate of Excellence 2019 for our passion! We are thrilled about this latest accomplishment.

We are very proud of our 2019 achievements, thank you for being a part of our success! All of our team members send you their best wishes for the holiday season and for the new year.

Happy New Year 2020!!!

Yosuke Hayano

Yosuke Hayano on How Architecture Can Create Emotional Connections to Nature.

Principal architect for MAD Architects, Yosuke Hayano says the studio strives to connect architecture to nature through the creation of emotional and spiritual spaces for everyday life.
“How do you bring modern architecture into the future and connect humans with nature?”
That is the question at the heart of Beijing-based MAD Architect’s ethos behind their projects. They believe that in the process of development in contemporary Asian cities, the logic of the unique connection between nature and humans has been distorted on the way.
Established in 2004, MAD aims to create a vision for how the future city can be a better place where we can live together. The collective’s vision of a futuristic city that remains congruent with nature is best embodied in its coined concept of a “Shan shui” city which informs all the MAD’s developments. Shan shui is a Chinese word for the kind of harmony found between human beings and the natural environment.
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MAD Architect’s Huangshan Mountain Village, China | Photo courtesy of Hufton + Crow

But, as they’ve put it, MAD Architects has been “committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature”. Although the idea of re-establishing a connection with the environment might sound retroactive, in MAD’s understanding it doesn’t contravene the advancement of technology.
In the studio’s architectural practice there’s a bottom-up dynamic that informs the projects in which nature and the needs of community shape the built environment, as opposed to an individual creator. And they seem to cultivate that at every scale. While they are known for their exquisitely monumental projects such as the Harbin Opera House, Absolute Towers or the Huangshan Mountain Village, perhaps their idea is communicated best on a micro-level.
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Yosuke Hayano, MAD Architects dicusses Architecture as Emotional Connection to Nature at reSITE | Photo courtesy of Tomáš Princ

That spiritual space and emotional connection is illustrated in an installation designed by the studio as part of the Echigo-Tsumari Triennale 2018 called the ‘Tunnel Of Light’, found at the Kiyotsu Gorge Tunnel in Niigata, Japan. The 750-meter long tunnel itself offers sweeping panoramic views, overlooking a valley formed by hardened lava rock formations and the river that runs through it. Yosuke Hayano,, the firms principal architect discussed the ideas and intention behind the installation at reSITE.

The studio managed to strike a balance with the already-stunning nature surrounding its location by regenerating the path into “a journey for people to meet nature in another way.” The five installations draw upon major elements found in nature. One of which Yosuke described in detail at reSITE.
In the ‘Tunnel of Light’, the floor is flooded with very shallow icy water straight from the river, perfectly mirroring itself. The chilly temperatures are a deterrent for too many people to enter, yet those who really want to experience it – or capture it – will power through. In order to capture that near-perfect reflection, stillness is also needed, stimulating contact with one’s senses to the cold water and the stillness in body, and mind.

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Merry Xmas from BAW

During the Xmas time many companies reach out to wish a happy holiday… as you can imagine that would like to do the same. 

All of us at Barcelona Architecture Walks wish you the best this holiday season but most of all we would like to say thank you. Thank you for being a part of what helps us to continue to grow, improve and accomplish our dream to discover architecture and the culture of Barcelona from a different point of view. 

 All of our team members send you their best wishes for the holiday season and for the new year.

Merry Xmas and Happy New Year! 

 

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As well we remind you in the festive weeks, we will continue offering our BARCELONA & GAUDI regular tour every Tuesday, Friday and Sunday with their usual schedules, and with our BARCELONA & FUTURE CITY and BARCELONA GOTHIC TO MODERN walks as private tours as well.

We only close 24th, 25th and 26th December and 6th January.

BARCELONA & GAUDI  A perfect start for your Barcelona stay! A great morning discovering the genius of Gaudí and Barcelona architecture.

BARCELONA & THE FUTURE CITY walk through the smart-city looking for our Future and discover with us the new Superblock at Poblenou.

BARCELONA & GOTHIC TO MODERN see Barcelona through the eyes of Enric Miralles.

BOOK NOW!

BAW Team Xmas meal

Today we want to share an image of the Xmas meal that the whole baw team enjoyed last Friday. We love this time of year because it’s a great time to talk and share some of the things that happen during our walking tours. Which always help us to keep improving!

As you know we really love what we do and this kind of meetings are very important for us, because we share our differents experience to get better our work every day.

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We are very happy to keep improving our family, because many people are interested about the walking tours we make!!!

As well we remind you in the festive weeks, we will continue offering our BARCELONA & GAUDI regular tour every Tuesday, Friday and Sunday with their usual schedules, and with our BARCELONA & FUTURE CITY and BARCELONA GOTHIC TO MODERN walks as private tours as well.

We only close 24th, 25th and 26th December and 6th January.

Here something about our Christmas tours:

BARCELONA & GAUDI  A perfect start for your Barcelona stay!
Along the Modernism Route, we will trace the sinuous dream path that took Antoni Gaudí from his social concerns to a total absorption with the divine, until he finally became “the last great cathedral builder. A great morning discovering the genius of Gaudí and Barcelona architecture.

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BARCELONA & THE FUTURE CITY walk through the smart-city looking for our Future and discover with us the new Superblock at Poblenou.

This is an urban walking reflection on the main aims of urbanism and how they have been applied in the 22@ district in Poblenou. This was once a neighborhood full of small factories that is now being revitalized in an attempt to recapture the spirit of it’s industrial heyday.

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BARCELONA & GOTHIC TO MODERN see Barcelona through the eyes of Enric Miralles.

With the aim of truly enjoying Enric Miralles’s work, we propose a journey of initiation that will attempt to be loyal to the architect’s words: “The architecture that interests me is capable of avoiding demagoguery and cannot hide the complex reality it comes from.”

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Each route is driven by a set of themes and concepts that decode the city whilst stimulating new ways of thinking about and seeing Barcelona. Come and walk with us and live a fantastic experience!!!

BOOK NOW!

Lacol + Harquitectes Lecture

Lacol arquitectura cooperativa + Harquitectes at IAAC Lecture Series 2019/20

This year, three special events will aim to give an overview on the Catalan architectural scene, by presenting six local firms with a special focus on three themes: Regeneration, Urbanism and Ecology. Tomorrow 17th December Lacol and Harquitectes with the lecture “Panel Presentation” under de theme Ecology.

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LACOL is a cooperative of architects who work in the neighbourhood of Sants, in Barcelona. They work from architecture toward social transformation, using architecture as a tool to intervene critically in their close environment. They root their activity in a horizontal system of labor, acting alongside society with justice and solidarity in mind. Carles Baiges Camprubí, is an architect (UPC-ETSAB) and master in Urban Sociology (Universiteit van Amsterdam). He is a founding member of the architects cooperative LACOL, where he focuses on cooperative housing and citizen participation and collaborates in projects and research in La Dinamo, a foundation to support cooperative housing.

HARQUITECTES is an architecture studio established in 2000 and based in Barcelona. It is managed by four partner architects: David Lorente Ibáñez, Josep Ricart Ulldemolins, Xavier Ros Majó and Roger Tudó Galí, who count on an ample team of collaborators, such as architects, interior designers and students. All of them licensed between 1998 and 2000 in ETSAV (UPC), where Josep and Roger teach in the Department of Architectural Projects and Technology. Xavier also teaches Projects in the ETSA Barcelona. Their work has received many awards and it has been published in many national and international media. They have also been selected in various exhibitions and invited as teachers and lecturers in Europe and America.

 

IAAC Lecture Series 2019/20

17th of December 2019
Lacol + Harquitectes
Panel Presentation

Ecology

@ 19.30, IAAC Auditorium
Free and Open to the Public

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Barcelona from Romans wall to Cerdà’s plan

Barcelona’s remarkable history of rebirth and transformation. How the city grew, from pre-Christian Romans to Cerdà plan.

Barcelona is in a perfect place for a city. Humans have been settling there, according to archeological remains, as far back as 5,000 BC.

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The Sagrada Familia in Barcelona. Shutterstock

The city’s origins trace back to the Romans, who settled in the area in 15 BC and, in the first century BC, built the medieval city of Barcino. It was small, surrounded by a wall roughly 1.5 kilometers in circumference, with the characteristic Roman grid of perpendicular streets.

In these modest beginnings are already visible two characteristics that would define Barcelona’s development over the years.

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Barcino, sketched in its original location over a map of Barcelona’s current Gothic Quarter. De Enrique Íñiguez Rodríguez (Qoan) /The Eixample, from the air, in 2007.

First, it began, and has always remained, a bounded and compressed city, dense from its founding. First physical walls and then the limits of geography have hemmed the city in and ensured that its residents are crammed tightly together.

And second, it has always been an intentional city, closely conceived and constructed by central planners. There have been very few periods of unplanned growth in Barcelona history. Unlike so many newer cities, it has not sprawled. Each new burst of growth has been on purpose; there has always been a plan.

Over the centuries, the city has been transformed again and again at the hands of visionaries, mostly notably architect Ildefons Cerdà, still considered one of history’s great urban planners.

How Barcelona’s walls finally fell

After the Roman Empire fell in the fifth century CE, the years saw a series of conquests — Visigoths, Arabs, what have you — but they all reused the existing city.

In the Middle Ages, the city grew and became more complex, the center of a region known as Catalonia. An extended wall was built in 1260, and then in the 15th century, the wall was expanded again to encompass the new Raval neighborhood. The part of the plain outside the wall was used for agriculture to provision the city.

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15th-century Barcelona walls, with the original medieval walls in the center and the current city in the background. Servei d’Arqueologia de Barcelona

In 1714, the War of the Spanish Succession ended and Barcelona was on the losing side. Upon its surrender, in order to suppress any future challenge, Philip V abolished many of the city’s institutions and charters, built a fortress citadel to keep an eye on it, and forbid Barcelona to grow beyond its medieval walls.

Remarkably, the wall around the city stayed in place — hemming in a growing population and almost completely separating the city from the sea next to it — for two more centuries. By the middle of the 19th century, population density was the highest in Spain, working conditions were miserable, sewage was out of control, water was dirty, and the city was struck by a series of cholera epidemics and riots.

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Barcelona near the turn of the 19th century, hemmed in by a wall and watched over by a citadel.

By 1854, when the Spanish government finally gave permission to take the wall down, it was one of the most hated structures in Europe. Townspeople immediately went at it with crowbars and pickaxes; it took 12 years to completely remove it.

Then came one of the most extraordinary and underappreciated chapters in urban design history — a chapter that, though 175 years in the past, contains many omens and warnings for Barcelona’s current efforts.

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Barcelona’s original medieval walls are still visible in several parts of the city; this is next to the Sant Antoni market. David Roberts

Cerdà’s utopian plan for Barcelona
As soon as the wall’s demolition was announced, plans began for an expansion of the city. In 1855, the central Spanish government approved a plan by architect Ildefons Cerdà.

Cerdà was horrified by the conditions of the working class in Barcelona and set out to make his extension of the city — the Ensanche in Spanish, or in Catalan, as the district is still known today, the Eixample — a model of orderly, clean, safe, hygienic urban living.

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Cerdà’s modified plan, in 1859. Museu d’Historia de la Ciutat, Barcelona

Two things are worth noting about Cerdà’s plan.

First, he took what was, for the time, an exceptionally holistic view of urban quality. He wanted to ensure that each citizen had, on a per capita basis, enough water, clean air, sunlight, ventilation, and space. His blocks were oriented northwest to southeast to maximize daily sun exposure.

And second, his plan embodied what is — then and today — a striking egalitarianism. Each block (manzana) was to be of almost identical proportions, with buildings of regular height and spacing and a preponderance of green space. Commerce was to take place on the ground floor, the bourgeoisie were to live on the floor above (rather than in mansions at the edge of town), and the workers were slated for the upper floors. In this way, they would all share the same streets and public spaces, exposed to the same hygienic conditions, reducing social distance and inequality.

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The Eixample, from the air, in 2007.

Each 20-square-block district was meant to be largely self-contained, with its own shops and civic facilities. Hospitals, parks, and plazas were to be spaced evenly throughout the city, to maximize equality of access.

In 1859, in response to criticisms, Cerdà released a modified version of the plan, with narrower streets no more than 20 to 30 meters wides and somewhat deeper buildings, with more room for commerce. The plan was approved by royal decree in 1860.

Though Cerdà’s manzanas were (and are) criticized for their uniformity — the sameness is said to leave no room for great monuments or idiosyncratic artistry — it is just that underlying uniformity that has proven so endlessly adaptable.

The repeating structure of the blocks means that as social and economic circumstances change, old buildings can be shifted in use or ripped out, or multiple buildings combined.

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A plan for two of Cerdà’s blocks, from an 1863 booklet.

Originally, each of Cerdà’s blocks was to have buildings on just two sides (sometimes three), occupying less than 50 percent of the total area, with the bulk of the interior space devoted to gardens and green space. The buildings were to be low enough (no more than 20 meters tall and 15 to 20 meters deep) to allow for almost continuous sunlight in the interiors during the day.

The goal was to combine the advantages of rural living (green space, fresh air and food, community) with the advantages of urban living (commerce, culture, free flow of goods and ideas).

Though in many ways, Cerdà’s plan won in the end — its legacy is still clearly visible in Barcelona’s Eixample — it was compromised by commercial and political considerations from the outset.

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