Seny i rauxa new exhibition at Disseny Hub Barcelona

Seny i rauxa. An account of Catalan Architecture

From May 22th the Disseny Hub Barcelona will hold a new exhibition Seny i rauxa that proposes a broad and evocative journey through Catalan architecture, highlighting its richness, diversity, and historical continuity. The starting point is the recognition of an unbroken thread that links the founding of the School of Architecture in 1875 with contemporary practices and sensibilities. A thread that runs through generations, styles, and turbulent periods, yet remains alive through a way of working in which restraint and audacity, rigor and instinct coexist, in a balance popularly known as seny and rauxa.

The exhibition moves away from a chronological approach and instead adopts a thematic structure that invites observation, dialogue, and comparison. The works are presented in unexpected conversations that reveal affinities, tensions, and resonances between pieces from different periods. This approach makes it possible to understand architecture not only as a technical discipline, but also as a cultural expression deeply rooted in its territory and, at the same time, open to global influences.

The itinerary includes a wide range of architectural materials: sketches that capture the initial creative gesture, drawings and plans that define forms and structures, models that give volume to ideas, and photographs that document their life and impact. Together, these elements offer an intimate view of the architectural creation process, often invisible to the general public.

In addition, the exhibition incorporates works of art and design (paintings, sculptures, furniture, and other objects) that build bridges between visual languages and different ways of interpreting space. This combination is not ornamental; it reflects a desire to show how architecture is in constant dialogue with the arts and how, taken together, they contribute to imagining ways of life, aesthetics, and social forms. The result is an expanded reading of Catalan architectural heritage that transcends disciplinary boundaries and places architecture at the heart of a shared creative ecosystem.

With around four hundred works, the exhibition offers a collective perspective that reflects expressive movements, social contexts, and cultural transformations. It invites careful looking, recognition of the diversity of authors, and an understanding of architectural heritage as a living organism: a set of ideas in continuous transformation.

The exhibition also seeks to be a space for discovery and reflection, capable of engaging both professionals and those encountering the subject for the first time. It is an opportunity to reaffirm the role of architecture in shaping collective identity and to show how, over time, seny and rauxa have coexisted in the creation of spaces that define how we live, relate to one another, and imagine the future.
Curator: Joan Roig, Carme Ribas, Victòria Garriga

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The ocean speaks. New ecologies and new economies of the seas

Exhibition ”The ocean speaks. New ecologies and new economies of the seas” at Disseny Hub, Barcelona, until February 23, 2025

The exhibition ‘The Ocean Speaks. New ecologies and new economies of the seas’ reflect on how Barcelona and other coastal cities can redesign their relationship with the sea Starting with the situation in the Catalan capital, but adopting a global perspective, the exhibition analyses the challenges and conflicts facing coastal societies in the coming years due to the effects of the climate emergency. Some fifteen local, national and international projects from different fields, such as design, urban planning, architecture and art, depict the effects of human action on the oceans and the beings that inhabit them, propose new approaches to marine ecosystems and reimagine our relationship with them. The exhibition is curated by the Disseny Hub Barcelona (DHub) artistic director, Jose Luis de Vicente.

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image DHub website

The starting point for the exhibition is Barcelona after the 1992 Olympic Games when the city’s seafront became a fundamental feature of the city’s image. However, taking a global perspective, it looks at the challenges and conflicts already being seen (and predicted to become even more prevalent in the medium term) in coastal communities, which are home to 40% of the world’s population and make up a significant proportion of our most valued land. The predicted rise in sea levels, the increasing number of adverse weather events and a growing political will to protect the seabed are forcing us to rethink the relationship coastal cities have with the sea and the creatures that live there, which are often unknown to humans despite the fact that we are inextricably connected to them.

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image DHub website

The exhibition shows the effects that human activity has on the marine environment and calls on visitors to approach it with a new outlook, at a key political and environmental moment for the ocean. In June 2025, the French city of Nice will be hosting the UN Ocean Conference where it is hoped that the Global Ocean Treaty will be ratified, a treaty that aims to guarantee the protection of 30% of the world’s oceans by 2030.

El mejor diseño del año

El Disseny Hub de Barcelona ofrece la exposición temporal El mejor diseño del año hasta el 7 de enero.

El diseño y las artes influyen y están influídos por la sociedad, la cultura, la economía, la tecnología y el entorno que las rodea, de manera que van transformándose año tras año. Esta exposición anual muestra la evolución de las disciplinas creativas a través de proyectos concretos, reales, que han sido seleccionados por jurados formados por profesionales de prestigio, que han valorado la excelencia, la originalidad y la innovación conceptual de los proyectos presentados en los premios que organizan las asociaciones del FAD en las diferentes disciplinas del diseño y de las artes. En conjunto, la muestra nos ofrece una valiosa panorámica del arte, la arquitectura, el interiorismo, el diseño gráfico y la comunicación visual de ahora y aquí con más de 400 proyectos y obras.

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La exposición está dividida en tres ámbitos:

  • Arte. Acoge las obras finalistas de la 13ª edición de los Premios FAD de Arte, unos galardones que, desde 2003, organiza la A-FAD, la Asociación de Artistas y Artesanos del FAD, y promueven la creación artística contemporánea, reconociendo el diálogo entre el concepto, el relato, los materiales y la técnica.
  • Arquitectura e interiorismo. Incluye las obras finalistas y seleccionadas de los 65º Premios FAD de Arquitectura e interiorismo y los Premios Habitàcola para estudiantes de arquitectura y diseño. Estos galardones son organizados por el ARQUIN-FAD, la Asociación Interdisciplinaria del Diseño del Espacio del FAD. Desde la independencia y la constancia, los Premios FAD de Arquitectura e interiorismo premian año tras año las mejores obras de la arquitectura peninsular.
  • Diseño gráfico y comunicación visual. Muestra las obras galardonadas de los Premios ADG Laus que organiza la Asociación de Directores de Arte y Diseñadores Gráficos del FAD (ADG-FAD), realizadas tanto por profesionales como por estudiantes. Son el barómetro anual del estado de la profesión, reconocen la excelencia y el talento emergente y promueven la importancia cultural y económica del diseño y la comunicación para la sociedad.

El mejor diseño del año  

Victor Papanek exhibition

Victor Papanek: The Politics of Design exhibition at DHUB

The exhibition Victor Papanek: The Politics of Design at the Museu del Disseny de Barcelona, is the first big retrospective on the designer, author and activist Victor J. Papanek (1923-1998).

What role should design and designers play in the contemporary world to be truly useful to society? This question has been the focus of widespread debate in recent decades and a reflection made by Victor Papanek, a pioneer of contemporary design and one of the most influential harbingers of social activism and sustainability in design. The ideas and questions addressed by Papanek in the 1960s remain extremely relevant for design and constitute the essence of critical, social, inclusive and interdisciplinary design.

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Victor J. Papanek »Tetrakaidecahedral«, 1973-1975 (movable playground structure, designed with a student, parents, teachers and children) © University of Applied Arts Vienna,Victor J. Papanek Foundation

Papanek is the author of the book Design for the Real World (1971), still the most widely read book on design. The work is a call for inclusion, social justice and sustainability, topics which continue to be hugely relevant for design today.

This exhibition explores Papanek’s life and work through an extensive series of original, evocative pieces from the archive of the Victor Papanek Foundation and some objects from some of his contemporaries such as Buckminster Fuller and the radical group Global Tools, among others. Papanek’s ideas and their lasting impact can also be found in the 21st century in projects by various international designers and artists linked to the sphere of critical, social and activist design.

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Victor J. Papanek filming the WNED-TV Channel 17 programme Design Dimensions in Buffalo, NY (1961 – 1963). © University of Applied Arts Vienna, Victor J. Papanek Foundation

The display is organised by topics based on the work of Papanek and his contemporaries, including policy on data and the media, digital social structures, biotechnology, design methodology, sustainability and social inclusion with an underlying reflection: the importance of design as a political tool.

This exhibition is a cooperation between the Barcelona Design Museum and the Vitra Design Museum, in collaboration with the Victor J. Papanek Foundation, University of Applied Arts Vienna.

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Victor J. Papanek. We are all handicapped, section from Big Character Poster No. 1: Work Chart for Designers (1973, drafted in 1969). © University of Applied Arts Vienna, Victor J. Papanek Foundation

Keynote speech (Prof. Alison J. Clarke and Amelie Klein): October 30 th 2019 at 6 pm.
CURATOR
Alison Clarke (Victor J. Papanek Foundation, University of Applied Arts Vienna), Amelie Klein (Vitra Design Museum).

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