MADOLA: Sixty years of work

Foros 2020 Lecture with MADOLA: Sixty years of work

On 12 February, Foros will be hosting the Catalan artist Maria Àngels Domingo Laplana, MADOLA, who will give a lecture entitled “MADOLA, sixty years of work”.

This versatile artist studied ceramics at Escola Massana, and in addition, has a degree in Sculpture and a doctorate from the Faculty of Fine Arts of Barcelona. Since the mid-60s, she has held individual and collective exhibitions in Spain and internationally. Soon after, she began to work with large-format pieces for public spaces. Her work includes her interventions at Plaça de la Font Castellana in Barcelona, the Rotonda Blava in Premià de Mar, the “Memory Catalonia-Korea” intervention at the Icheon Park in Korea or the “Organic” installation at the Barcelona Design Museum.

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In her lecture, she will take us through her career and reflect on her creative processes. She explains “In thought I find the narrative thread to be able to express an idea, a concept. This way, taking a leap of faith, the work slowly comes into being, connected with my ideology, in dialogue with the material and in deep meditation, to achieve a complete, sincere and expressive piece of work.”

MADOLA is a member of the International Academy of Ceramics in Geneva, and the World Crafts Council, part of UNESCO in Paris. She is also member of the Royal Academy of Sciences and Arts of Barcelona.

This year, Foros, an annual series of lectures about architecture, revolves around the title “Co-benefits”. Foros 2020 seeks to reflect on the links and the cultural interaction between contemporary architecture and other art forms such as dance, sculpture, film and comics.

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Foros 2020 lecture series

The Foros 2020 series of lectures organised by the UIC Barcelona School of Architecture, the essential annual event in the field of architecture and urban planning, begins a new edition in early 2020 that will run from 29 January through to 29 April.
Under the heading of “co-benefits”, Foros 2020 aims to consider the links and the processes of cultural interaction between contemporary architecture and other artistic manifestations such as dance, sculpture, film and comedy.

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The series will be managed for the second year running by lecturers Guillem Carabí and Fredy Massad. “In the same way that contemporary art, in all its different manifestations, often takes ownership of architectural elements, devoid of any connotations of habitability, architecture also feeds from the different artistic disciplines to reclaim its emotional character and thus recover some of the bonds it has lost with its users,” they explain.

The series kicks off on 29 January with a lecture by the well-known caricaturist and architect Klaus (Koldo Lus Arana). Since he launched his blog, Klaustoon, ten years ago, Klaus has stood out for his biting criticism of the architectural status quo. His work has been published in numerous architectural magazines and shown in both solo and group exhibitions. As a lecturer at the School of Engineering and Architecture (EINA) at the University of Zaragoza, he studies the interactions between architecture and the media, as well as urban visions of the future in architecture and the visual arts.

The second lecture will take place on 12 February, given by MADOLA (M. Ángeles Domingo Laplana), a plastic artist with a PhD in Fine Arts based in Premià de Dalt; she is a member of the International Academy of Ceramics and the Work-Craft Council, which is based at UNESCO in Paris. Madola is known for her large-format ceramic works in public spaces, some of her most notable interventions being the Plaça de la Font Castellana in Barcelona, the Rotonda Blava in Premià de Mar and the “Organic” installation in the Design Museum of Barcelona.

On 26 February, Carme Torrent will give a performance-based lecture. The Catalan artist has many years of experience as a performance artist for choreographers of the stature of Min Tanaka, Carmelo Salazar and Xavier Le Roy, and has participated in many programmes for exhibition spaces worldwide.

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