Barceloneta the former fishermen’s town

Barceloneta is one of the most famous neighborhoods in Barcelona. Our BARCELONA & THE SEA tour explore the former fishermen’s town, forms an inseparable entity with the beach of the same name, and quite frankly, neither one could exist without the other.

This is Barceloneta—the modest, residential winter barrio that transforms into the city’s playground come summer. If its idyllic Mediterranean seascape is its main asset, it’s also a façade. A stone’s throw from the lively beach hangouts lies a complex, disputed neighbourhood undergoing profound change. For some locals, the seafront’s redevelopment has brought only fear and worry. The struggle to reconcile a rich culture and history with the imperatives of burgeoning tourism is symptomatic not only of Barcelona but of an entire class of modern cities.

Aerial view of Barceloneta

Barceloneta was created in the 15th century. Until then, its triangular contours contained mostly seawater; the barrio was born when the island of Maians, little more than a reef, was linked up with the rest of the city in the construction of Barcelona’s first port. Over the subsequent centuries, natural sand deposits and re-construction enlarged the peninsula, and a fisherman’s shantytown sprang up, inaugurating an association with seafood which continues to this day.

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Engraving from the 16th century, the first neighbourhood outside the city walls

Later, in the 18th century, a significant engineering project was undertaken to accommodate inhabitants of La Ribera displaced by the construction of the Citadel—a star-shaped fortress built by Philip V following the 1714 siege of Barcelona, in order to maintain control over a city in turmoil. This expanded version of Barceloneta remained a largely working-class district that made its living from a modest fishing fleet. Eventually it would play host to a number of factories that gave it the industrial character it only recently shed, among them the important Maquinista Terrestre y Marítima, which fabricated all kinds of machinery and metalwork and once employed over 3,000 workers.

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19th century plan of Barceloneta

During the Civil War, the area suffered extensive damage during the air raids carried out between 1937 and 1939 at the hands of Franco’s fascist allies—a horror that presaged what was to come elsewhere in Europe throughout World War II. Targets of military significance—the great Maquinista complex among them—were spared destruction by the Italian pilots, who targeted civilian areas and circumvented the air-raid alarm system with continuous bombing waves. Reconstruction was slow and irregular.

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Works of consolidation of the coastline

The neighbourhood entered living memory in a precarious state. At the time, shantytowns, known as barracas, thronged the quarter’s perimeter, including the waterfront, and housed 20,000 people at their peak. The makeshift houses were frequently flooded by the sea. Despite lacking basic amenities, they formed self-contained districts with distinct histories and personalities; ‘Somorrostro’ was immortalised in Los Tarantos (1963), an Oscar-nominated film of flamenco dancers and gypsy singers. Today, the shantytown lives on as the name of one of the most frequented stretches of beach, over which Frank Gehry’s Peix d’Or sculpture presides.

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Barceloneta from the barracas neighbourhood to the modern beach

The great change came with the 1992 Summer Olympics. Its organisers set in motion several large-scale projects that would make a lasting imprint on the city. In the run-up to the Olympics, the last of the shantytowns were cleared away, a promenade was built, palm trees replaced old-time xiringuitos (beach bars) made of rickety wood, and sand was imported from Egypt. The magnitude of this volte-face cannot be overstated. Barcelona was a city with its back to the ocean. Before the Olympics, it underwent many transformations—and the first was opening up to the sea.

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The sculpture erected in honour of Barceloneta’s history and development, Homenatge a la Barceloneta by Rebecca Horn—also known as l’Estel Ferit (‘the Wounded Star’)—consists of four, large iron boxes piled up into a crooked tower, recalling the low-rise buildings of the 18th century, and the neighbourhood’s seafaring pas.

The intense conversation between Barcelona and the Mediterranean Sea has been always about how the quest for order; this concept of order is confronted by the obstinate reality of urban chaos, which is precisely what makes it all so interesting! Discover the history of Barcelona through its architecture with our BARCELONA & THE SEA walking tour.

BOOK HERE

 

Grafton Architects Named 2020 Pritzker Prize Laureates

Yvonne Farrell and Shelley McNamara win Pritzker Architecture Prize 2020

This year, architecture’s highest honor, the Pritzker Prize, has been granted to Grafton Architects’ Yvonne Farrell and Shelley McNamara of Dublin, Ireland. The 2020 Laureates, who are both educators and architects, are known for their powerful yet delicate approaches. Their contextual and modern interventions are very attentive to history, demonstrating high levels of sensitivity and craftsmanship.

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Shelley McNamara and Yvonne Farrell

Jury Citation:

Yvonne Farrell and Shelley McNamara, Grafton Architects have practiced architecture together for forty years in a way that clearly reflects the objectives of the Pritzker Prize: to recognize the art of architecture and consistent service to humanity as evidenced through a body of built work.

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University Campus UTEC Lima. Image © Iwan Baan

Co-founding their professional practice, called Grafton Architects, in Dublin, Ireland in 1978, they have consistently and unhesitatingly pursued the highest quality of architecture for the specific location in which it was to be built, the functions it would house and especially for the people who would inhabit and use their buildings and spaces. They have an oeuvre that includes numerous educational buildings, housing and cultural and civic institutions. Pioneers in a field that has traditionally been and still is a male-dominated profession, they are also beacons to others as they forge their exemplary professional path.

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Solstice Arts Centre. Image © Ros Kavanagh

Many of their buildings are located in their home country of Ireland, but through competitions, they have won major commissions for other places around the world, such as Italy, France and Peru. With a profound understanding of place gained through their research, keen powers of observation, open and ever curious explorations and deep respect for culture and context, Farrell and McNamara are able to make their buildings respond to a setting and city most appropriately, while still being fresh and modern. This deep understanding of “spirit of place” means that their works enhance and improve the local community. Their buildings are “good neighbors” that seek to make a contribution beyond the boundaries of the building and to make a city work better. Their North King Street Housing in Dublin (2000) is one example of this: it creates an inner courtyard and a welcome respite from the adjacent busy streets.

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Institut Mines Télécom. Image © Alexandre Soria

Their approach to architecture is always honest, revealing an understanding of the processes of design and construction from large scale structures to the smallest details. It is often in these details, especially in buildings with modest budgets, where a big impact can be felt. For example, the Urban Institute of Ireland (Dublin, 2002) employs what the architects call a “crafted skin” to create a visually interesting building through changes in materials responding to openings, folds, needs for shade and other concerns. At the same time, it employs common sense, good-practice environmental control methodologies for an efficient, sustainable building. On a particularly sensitive site in Dublin, the masterful Offices for the Department of Finance (2009) attests to their knowledge and care in the selection of materials and construction techniques with a carefully handcrafted bronze railing and gate and sanded limestone on the facades.

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Universita Luigi Bocconi in Milan Building of the Year in 2008. Image © Federico Brunetti

The architects are skilled and successful working at many scales—from large institutional buildings to a house of only a little more than 100 square meters. Without grand or frivolous gestures, they have managed to create buildings that are monumental institutional presences when appropriate, but even so they are zoned and detailed in such a way as to produce more intimate spaces that create community within. In their large buildings such as the University Campus UTEC (2015) in Lima, Peru or the School of Economics Building (2008) at Universita Luigi Bocconi, they have achieved a human scale through the composition of spaces and volumes of different sizes. The dialogues they create between buildings and surroundings demonstrate a new appreciation of both their works and place.

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Bocconi University building in Milan. Image  © Frederico Brunetti

A constant in their approach, the architects have an understanding of how to design complex sections of buildings in such a way that views connect deep interior spaces with the larger exterior realm and allow natural light to penetrate and animate spaces deep inside a building. Often light streams from skylights or upper story windows throughout the interiors of their buildings, providing warmth and visual interest, helping the inhabitants easily orient themselves in the spaces, and providing the ever necessary connection to the exterior.

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Kingston Town House London. Image © Ed Reeves

For their integrity in their approach to both their buildings, as well as the way they conduct their practice, their belief in collaboration, their generosity towards their colleagues, especially as evidenced in such events as the 2018 Venice Biennale, their unceasing commitment to excellence in architecture, their responsible attitude toward the environment, their ability to be cosmopolitan while embracing the uniqueness of each place in which they work, for all these reasons and more, Yvonne Farrell and Shelley McNamara, Grafton Architects are awarded the 2020 Pritzker Architecture Prize.

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Nicolas Bernier Lecture

“Sculpted with Light and Sound” Lecture by Nicolas Bernier at IAAC

Nicolas Bernier creates audiovisual performances and installations aiming to carve a dialogue between sound and tangible matter. Shaped by his work within the fields of cinema, literature, dance and theatre companies, his own language blend together elements of music, photography, design, science, video art, architecture, light design and scenography. In the midst of this eclecticism, his artistic concerns remain constant: the balance between the cerebral and the sensual, and between organic sources and digital processing.

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Awardee of the prestigious Golden Nica at Prix Ars Electronica 2013 (Austria), his work widely recognize, presented all over the world: SONAR (Spain), Mutek (Canada), Elektra (Canada), ZKM (Germany), Transmediale (Germany) and LABoral (Spain) to name a few. His sound compositions are widely published on electronic music labels: 901 Editions (Italy), LINE (US), leerraum (Switzerland), Entr’acte (UK) and empreintes DIGITALes (Québec).

He holds a PhD in sonic arts from the University of Huddersfield (UK). He is a member of Perte de signal, CIRMMT and Hexagram media arts research and development centres based in Montreal. He is teaching in the Digital Music program of the Université de Montréal.

IAAC Lecture Series 2019/20

3rd of March 2020 @ 19.30, IAAC Auditorium
Nicolas Bernier In collaboration with MUTEK

Sculpted with Light and Sound

Free and Open to the Public

Carleton University expedition 2020

Last week we had the pleasure of taking part in a great experience alongside a very nice group pf students from Carleton University’s architecture school in Ottawa Canada. We are also delighted because Barcelona Architecture Walks has been a part of this amazing studio trip for five years in a row.

The first expedition was led by Ricard Pons, who took the group around the Gothic quarter ending up at the Olympic Village and 22@ district: A tour that reveals the origins of Barcelona and its most recent urban planning projects.

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The second expedition took the group towards the town of Olot; on our BAW & RCR tour led by Jaume Prat. An amusing and thrilling tour to the most emblematic work of RCR Arquitectes, winners of the 2017Pritzker Prize.

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We always enjoy walking with future colleagues like the students of Carleton University. They are an informed public that demands a we give a tour on a different level in terms of history, urban planning and architectural concepts in general.

We are so happy you have chosen us to help you reach a deeper understanding of our beautiful city! Thanks so much you guys!

And here our 5 regular tours for the 2020 season:

BARCELONA & GAUDI a great start to discover the genius of Gaudí.

BARCELONA & THE FUTURE CITY walk through the smart-city looking for our Future and discover with us the new Superblock at Poblenou.

BARCELONA & GOTHIC TO MODERN see Barcelona through the eyes of Enric Miralles.

BARCELONA & THE SEA  discover Barcelona through its architecture.

BARCELONA & THE URBANISM travel with us to the origins of the modern Barcelona.

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In addition we have other 5 special tours:

BCN & SAGRADA FAMILIA. On this special four-hour tour, you will enjoy two of the most emblematic and most visited monuments in Barcelona led by an official tour guide that specializes in “Modernismo”.

BAW & RCR a full day coach excursion to see the most emblematic works of the RCR studio, awarded with the Pritzker of Architecture 2017.

BCN & LANDSCAPE coach tour of the largest urban parks in Barcelona.

BCN & MODERNISME  4-5 h expedition, during this tour we will see all the structures of the BARCELONA & GAUDI plus the area of the 1888 exhibition.

BCN & BARCELONA 1929 a tour discovering the projects that were made for the transformation of Barcelona on the occasion of the Universal Exhibition of 1929.

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Each route is driven by a set of themes and concepts that decode the city whilst stimulating new ways of thinking about and seeing Barcelona. Come and walk with us and live a fantastic experience!!!

Nina Gualinga Lecture

Indigenous People of the Amazon: The Guardians of Our Future Lecture by Nina Gualinga at IAAC

Nina Gualinga is of Swedish and indigenous roots of the Ecuadorian Amazon, where she was born and raised in her mother’s community of the Kichwa People of Sarayaku.  Nina started advocating for  indigenous and territorial rights at the at a early age, after an oil companies violently entered her peoples’ lands with military troops provided by the Ecuadorian government. The people of Sarayaku successfully forced out the oil company and militars and won a historic case against the government  in the Interamerican Court of Human Rights, setting an important precedent for indigenous rights across Latin America.

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Throughout her life Nina has been actively involved in national and global advocacy efforts in defense of the Amazon rainforest, indigenous rights and the world climate. She is a spokesperson for the Mujeres Amazonicas, a movement that unites indigenous women in the Ecuadorian Amazon. She is also board member of Amazon Watch in Sweden, where she studies Human Rights at the University of Lund.

Nina uses her story and voice to raise awareness of the challenges that Indigenous People face across the world in their struggles to protect their home against extractive industries and for all life on Earth.

IAAC Lecture Series 2019/20

25th of February 2020
Nina Gualinga
Activist for indigenous and territorial rights

Indigenous People of the Amazon: The Guardians of Our Future

@ 19.30, IAAC Auditorium
Free and Open to the Public

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Alejandro Haiek Lecture

Alejandro Haiek research examines the relations between public landscapes, post-industrial ecologies and network governability politics. His work explores social innovations that integrate science, culture and local intelligences.

His projects develop at the intersection between design, arts and engineering. Focusing on hybrid techniques, Derived Technologies and building components through human and material resources. He’s principles declare architecture as a logistic change of events that eventually transformed in a complex apparatus. A urban choreography as conscious and mindful return to industrialization.

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Alejandro Haiek, invited professor at the Master of International Cooperation Sustainable Emergency Architecture Erasmus program at Universitat Internacional de Catalunya, Spain and Grenoble University, France. Invited artist at Tokyo University of the Arts, Japan and Liga space for Architecture supported by Graham Fundation, Mexico. Artist in residence at Monash University in Australia and Auckland University in New Zealand. He was recently invited at Mextrópoli 2018, Festival Internacional de Arquitectura y Ciudad, Mexico.

IAAC Lecture Series 2019/20

20th of February 2020
Alejandro Haiek
The Public Machinery / Lab.Pro.Fab

@ 19.30, IAAC Auditorium
Free and Open to the Public

Since 2000, IAAC runs an international IAAC Lecture Series in which architects and experts from a variety of different disciplines present their work at IAAC. The lectures are open to the public, consisting of a high-quality cultural activity open to the city of Barcelona. Unless otherwise indicated, all the events of the Series are free with a mandatory Eventbrite registration.

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Hassell + OMA new museum in Perth

HASSELL + OMA complete new museum for western australia.

Construction of the ‘new museum for western australia’, designed in joint venture by international design practices HASSELL and OMA, is complete. Exhibitions are now being installed to ensure that the museum is ready for its opening in november 2020. Located in the heart of Perth’s cultural precinct, the design was conceived as a ‘collection of stories’ that offer a multidimensional framework. Comprised of heritage and new structures, the institution intends to be a place where the local community and global visitors can gather to share their understanding of the past, thoughts of the moment, and ambitions for the future.

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© peter bennetts

‘Our vision for the design was to create a space that promotes engagement and collaboration, responding to the needs of the museum and the community,’ says HASSELL principal mark loughnan. ‘We wanted it to be a civic place for everyone; an interesting mix of heritage and contemporary architecture, that contributes to the revitalization of perth’s cultural precinct whilst celebrating the culture of western australia on the world stage.’

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© peter bennetts

Refurbished heritage buildings and newly built volumes house the museum exhibitions, event spaces, and public areas. Two intersecting circulation loops — one vertical and one horizontal — connect and organize the museum’s content, which includes a world-renowned meteorite collection and a blue whale skeleton.

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© peter bennetts

‘Western australia’s natural resources, culture and history are diverse. instead of prescribing a singular interpretation of western australia, the loops enable visitors to engage with the museum’s collection in distinctive ways, and tell the manifold stories of the place,’ explains OMA managing partner, David Gianotten.

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© peter bennetts

A core element of the design is the ‘city room’ — a sheltered outdoor public space at the center of the museum. The city room is an open space for everyone to stimulate their imagination and creativity and participate in a variety of activities, from large scale community events to smaller gatherings. Elsewhere, a large new temporary gallery space complements the museum’s permanent collection.

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Ron Wakkary Lecture

Ron Wakkary is full professor in the School of Interactive Arts and Technology, Simon Fraser University in Canada where he is the founder of the Everyday Design Studio (eds.siat.sfu.ca). In addition, he is full professor in Industrial Design, Eindhoven University of Technology in the Future Everyday cluster.

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Wakkary is interested in design-oriented human-computer interaction (HCI) and the philosophies of technologies through design. Wakkary’s research investigates the changing nature of interaction design and HCI in response to new understandings of human-technology relations.

Ron is currently a member of the Tangible Embedded/Embodied Interaction (TEI) and Designing Interactive Systems (DIS) steering committees. He is also a member of various editorial boards including International Journal of Design (IJD). He was co-Editor-in-Chief of ACM interactions from 2010 to 2016.

IAAC Lecture Series 2019/20

18th of February 2020
Ron Wakkary
Simon Fraser University / TU Eindhoven

Things We Could Design in More-than Human-centred Worlds

@ 19.30, IAAC Auditorium
Free and Open to the Public

Since 2000, IAAC runs an international IAAC Lecture Series in which architects and experts from a variety of different disciplines present their work at IAAC. The lectures are open to the public, consisting of a high-quality cultural activity open to the city of Barcelona. Unless otherwise indicated, all the events of the Series are free with a mandatory Eventbrite registration.

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Eva Franch Lecture at Elisava

Politics, Economy, and Architecture Lecture by Eva Franch

Eva Franch is an architect, curator, educator and lecturer of experimental forms of art and architectural practice. She specializes in the making of alternative architecture histories and futures. Since August 2018 she works as Director of the Architectural Association in London.

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Past Futures. Present Futures. Curated by Eva Franch. Photo by Naho Kubota. Courtesy of Storefront for Art and Architecture.

Franch has taught at The Cooper Union School of Architecture, Columbia University GSAPP, IUAV University of Venice, SUNY Buffalo and Rice University School of Architecture. She has lectured internationally on art, architecture and the importance of alternative practices in the construction and understanding of public life at educational and cultural institutions.

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Letters to the Mayor (2014). Curated by Eva Franch. Storefront for Art and Architecture.

From 2010 to 2018 Franch served as Chief Curator and Executive Director of Storefront for Art and Architecture in New York. In 2014 she was selected to represent the United States at the Venice Biennale with the project OfficeUS, an experimental think tank for architecture practice.

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OfficeUS. Curated by Eva Franch, Ana Miljačky and Ashley Schafer. Design by Pentagram and Leong Leong.

Franch has received numerous awards and fellowships, and her work has been exhibited internationally. Recent publications by Franch include Agenda (Lars Muller, 2014), Atlas (Lars Muller, 2015) and Manual (Lars Muller 2017) as part of OfficeUS.

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No Shame, Storefront for Sale (2013). Curated by Eva Franch. Storefront for Art and Architecture. Photo by Brett Beyer.

Politics, Economy, and Architecture

Architecture, as the discipline that has the privilege but also the responsibility to articulate the social, political and economical in a collective aspiration is in a space of redefinition. Eva Franch has over the last decade produced a series of projects that have rendered anew the complexities of contemporary culture and the role of architecture. From her work as the Chief Curator and Executive Director of Storefront for Art and Architecture in New York, to her current position as the Director of the Architectural Association School of Architecture in London, Franch will present a series of provocations, projects and reflections about architecture today, and where architecture -and society- might be tomorrow.

Thursday at 7:30 p.m. – February 13, 2020
Sala Aleix Carrió
Elisava

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MADOLA: Sixty years of work

Foros 2020 Lecture with MADOLA: Sixty years of work

On 12 February, Foros will be hosting the Catalan artist Maria Àngels Domingo Laplana, MADOLA, who will give a lecture entitled “MADOLA, sixty years of work”.

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This versatile artist studied ceramics at Escola Massana, and in addition, has a degree in Sculpture and a doctorate from the Faculty of Fine Arts of Barcelona. Since the mid-60s, she has held individual and collective exhibitions in Spain and internationally. Soon after, she began to work with large-format pieces for public spaces. Her work includes her interventions at Plaça de la Font Castellana in Barcelona, the Rotonda Blava in Premià de Mar, the “Memory Catalonia-Korea” intervention at the Icheon Park in Korea or the “Organic” installation at the Barcelona Design Museum.

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In her lecture, she will take us through her career and reflect on her creative processes. She explains “In thought I find the narrative thread to be able to express an idea, a concept. This way, taking a leap of faith, the work slowly comes into being, connected with my ideology, in dialogue with the material and in deep meditation, to achieve a complete, sincere and expressive piece of work.”

MADOLA is a member of the International Academy of Ceramics in Geneva, and the World Crafts Council, part of UNESCO in Paris. She is also member of the Royal Academy of Sciences and Arts of Barcelona.

This year, Foros, an annual series of lectures about architecture, revolves around the title “Co-benefits”. Foros 2020 seeks to reflect on the links and the cultural interaction between contemporary architecture and other art forms such as dance, sculpture, film and comics.

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Winy Maas Lecture

Everything is Landscape Lecture by Winy Maas at IAAC Lecture Series 2020

Winy Maas and one of the co-founding directors of the globally operating architecture and urban planning firm MVRDV, based in Rotterdam, Netherlands, known for projects such as the Expo 2000, the vision for greater Paris, Grand Paris Plus Petit, and more recently the Market Hall in Rotterdam. He is furthermore professor at and director of The Why Factory, a research institute for the future city, he founded in 2008 at TU Delft.

 

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He is currently Visiting Professor at IIT Chicago, the Catholic University of Louvain, Belgium and the University of Hong Kong, and has been at ETH Zurich, Berlage Institute, MIT, Ohio State and Yale University. In addition, he designs stage sets, objects and was a curator of Indesem 2007. He curates exhibitions, lectures throughout the world and takes part in international juries.

In 2013 Winy Maas joined the Economic Development Board of Rotterdam (EDBR). In 2012 he was appointed urban supervisor for the city of Almere and since 2003 he has been supervising the Bjørvika urban development in Oslo. With both MVRDV and The Why Factory he has published a series of research projects.

IAAC Lecture Series 2019/20

10th of February 2020
Winy Maas
MVRDV / The Why Factory / IAAC Faculty

Everything is Landscape

@ 19.30, IAAC Auditorium
Free and Open to the Public

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Leading Architects

Today we want to talk about our Leading Architects, sharing with you some more personal details about our guides. All the guides of Barcelona Architecture Walks are practicing architects, most of whom are professors of architecture, as well as architecture critics. This variety of top professionals provides a wide spectrum of knowledge on a huge range of topics that only Barcelona Architecture Walks can provide.

We walk with our own critical and contemporary perspectives and a wry smile on our faces because… we love architecture!

All our Leading Architects have interesting things to tell us… so we consider important to share it with you. Let’s to meet Silvia Martinez.

Sílvia Martinez Ramos, Barcelona.

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Architect by the Barcelona School of Architecture (ETSAB-UPC) 2014, Erasmus scholarship at Universitatea de Arhitectură și Urbanism “Ion Mincu” in Bucharest in 2011-12. Illustrator by CIFO l’Hospitalet 2018.
After my studies, I spent some time combining my jobs in different architecture projects with volunteering in several architecture dissemination projects such as Barcelona 48 Open House or Construïnt a la Sala’s workshop for children. Then I found El Globus Vermell and BAW, where I collaborate doing what I like the most, bringing architecture closer to everyone who is interested in learning more about it.

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«The fast pace of life that we are witnessing deprives us of fully appreciating the qualities of the places we are visiting. I believe that to discover any place in the world you have to live it through the eyes of someone who’s been deeply living it. The value of a place is not only what you can see but all the stories you can learn which enrich your experience and helps you understand and appreciate it. Barcelona is a city you can’t live without making a pause to walk, see and listen.»

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And here our 5 regular tours for the 2020 season:

BARCELONA & GAUDI a great start to discover the genius of Gaudí.

BARCELONA & THE FUTURE CITY walk through the smart-city looking for our Future and discover with us the new Superblock at Poblenou.

BARCELONA & GOTHIC TO MODERN see Barcelona through the eyes of Enric Miralles.

BARCELONA & THE SEA  discover Barcelona through its architecture.

BARCELONA & THE URBANISM travel with us to the origins of the modern Barcelona.

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In addition we have other 5 special tours:

BCN & SAGRADA FAMILIA. On this special four-hour tour, you will enjoy two of the most emblematic and most visited monuments in Barcelona led by an official tour guide that specializes in “Modernismo”.

BAW & RCR a full day coach excursion to see the most emblematic works of the RCR studio, awarded with the Pritzker of Architecture 2017.

BCN & LANDSCAPE coach tour of the largest urban parks in Barcelona.

BCN & MODERNISME  4-5 h expedition, during this tour we will see all the structures of the BARCELONA & GAUDI plus the area of the 1888 exhibition.

BCN & BARCELONA 1929 a tour discovering the projects that were made for the transformation of Barcelona on the occasion of the Universal Exhibition of 1929.

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Each route is driven by a set of themes and concepts that decode the city whilst stimulating new ways of thinking about and seeing Barcelona. Come and walk with us and live a fantastic experience!!!

Anne Lacaton honoris causa by URL Barcelona

Anne Lacaton, architect and co-founder of the Lacaton & Vassal studio, has been awarded an honorary degree by Ramon Llull University (URL) of Barcelona

In her speech, Anne Lacaton explained that after finishing her studies, she went to Niger, in Africa, with her husband Jean Philippe Vassal, to work for five years. There,” said Lacaton, “we discovered another world, another way of thinking, another form of architecture, so alien to what we had learned, more direct, closer to the use, to the climate, more spontaneous. We discovered what the essential means, the economy of gesture and matter, the art and creativity of recycling, the art of economy, the art of improvisation. We discover the meaning of the word ‘inhabit’ as the main value of architecture. This determined our evolution and definitively marked our idea of architecture and our way of working”.

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The project Transformation of 530 Dwellings, a social housing revamp in Bordeaux wins Mies van der Rohe Award 2019. The European Union has awarded its annual architecture prize to a renovation of 1960s housing in France by Frédéric Druot Architecture, Lacaton & Vassal Architectes and Christophe Hutin Architecture.

This is an amazing project where demolition was ruled out so the studios instead designed subtle interventions to make the homes brighter, with more outdoor space at every level.

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© Philippe Ruault

The project consists in the transformation of 3 modernist social housing’s buildings, fully occupied. It is part of the renovation program of the ‘Cité du Grand Parc’ in Bordeaux. Built from the early ’60s, this modernist district counts more than 4000 dwellings. The 3 buildings G, H and I, 10 to 15 floors high, gather 530 dwellings and needed a renovation after the question of their demolition has been ruled out. By their location and their layout, these buildings give a capacity of transforming into beautiful dwellings with qualities and comfort.

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© Philippe Ruault

The project of transformation starts from the interior of the dwellings, to give new qualities to the dwellings, by investing with precision and care the existing qualities, that should be preserved, and what is missing that must be supplemented. The addition of winter gardens and balconies in the extension of the existing give the opportunity, for each apartment, to enjoy more space, more natural light, more mobility of use and more views.

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© Philippe Ruault

From the inside, the view on the city of Bordeaux is panoramic and unique, due to the height and to the low topography of the city. It is an extraordinary living situation. While the high-rise buildings for high-class residences are now defined as examples of a responsible housing for the future, the G, H and I buildings offer the opportunity to reach these qualities immediately, in a generous, economic and sustainable way.

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© Philippe Ruault

The general economy of the project is based on the choice of transforming the existing building without doing important interventions on the existing: the structure, the stairs or the floors and of proceeding by additions and extensions. This approach on the economy makes possible to concentrate the resources on generous extensions that are, for us, the key point to improve in a significant and sustainable way the quality and the dimension of the dwellings.

 

 

 

Fabian Scheurer Lecture

 IAAC Lecture Series: Fabian Scheurer

Fabian Scheurer is co-founder of Design-to-Production and leads the company’s office in Zurich. After graduating from the Technical University of Munich with a diploma in computer science and architecture, he worked as assistant for the university’s CAAD group, as software developer for CAD-provider Nemetschek, and as new media consultant for Eclat in Zurich.

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From 2002 until 2006 he studied the use of artificial-life methods in architectural construction as a member of Ludger Hovestadt’s CAAD group at the ETH Zurich and managed to transfer the results to a number of collaborative projects between architects, engineers, and fabrication experts. In 2005 he co-founded Design-to-Production as a research group at ETH to explore the connections between digital design and fabrication.

At the end of 2006 Design-to-Production teamed up with architect Arnold Walz and became a commercial consulting practice, since then having implemented digital planning and production chains for projects like the Hungerburg-Funicular in Innsbruck (by Zaha Hadid), the Rolex Learning Center in Lausanne (by SANAA), the Centre Pompidou in Metz, La Seine Musicale in Paris, Swatch in Biel (all three by Shigeru Ban) and many others.

Fabian Scheurer has been teaching Digital Modeling and Fabrication as guest lecturer/tutor at the AA in London, the IAAC in Barcelona, and at HTW Chur and BFH Biel (Switzerland).

 

IAAC Lecture Series 2019/20

4th of February 2020
Fabian Scheurer
Design-to-production / IAAC Faculty

BIM to Fabrication

@ 19.30, IAAC Auditorium
Free and Open to the Public

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Highlight reviews

Excellent reviews: the best reward for our work!

Today, we share three highlight reviews, last months we’re receiving some reviews in TripAdvisor all with the highest score! For us is a privilege to know that our customers are so satisfied and enjoy with our work.
With more enthusiasm than ever we are ready to continue spreading the architecture, history and culture of a wonderful city, among all those who are eager to fall in love, as we are, with the city of Barcelona.
Thank you all for your excellent reviews!!!

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Great insights and background information
I’m so happy that we decided on the BARCELONA & GAUDI guided tour. Our guide Jelena helped us to understand the history and structure of the city and was able to answer all the questions we had. This is not the typical touristy tour but gave us real insights and information about the city.

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Fascinating Tour
Guille is knowledgable and passionate about Gaudi and Barcelona in general. My son and I felt we learned a lot about Gaudi’s contributions to architecture, and about the history of Barcelona. This was the first time I’ve booked a private tour, and I felt it was a very worthwhile extravagance that I’d recommend to anyone. There is so much to learn, and we were able to ask as many questions as we had without holding the group up from the next stop on the tour. Plus we were able to hear clearly all the answers.

Thanks so much, Guille!

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A highlight of our trip
My son (an architecture student) and I both felt this tour of the Poblenou area was a highlight of our ten days in Barcelona. Pia presented history, urban planning and architecture talking points in an insightful, profound and exciting way. She presented us with new interesting ways of seeing this dynamic city. I would definitely schedule more tours with this company.

And here our 5 regular tours for the 2019/2020 season:
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BARCELONA & GAUDI a great start to discover the genius of Gaudí.

BARCELONA & THE FUTURE CITY walk through the smart-city looking for our Future and discover with us the new Superblock at Poblenou.

BARCELONA & GOTHIC TO MODERN see Barcelona through the eyes of Enric Miralles.

BARCELONA & THE SEA  discover Barcelona through its architecture.

BARCELONA & THE URBANISM travel with us to the origins of the modern Barcelona.

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In addition we have other 5 special tours:

BCN & SAGRADA FAMILIA. On this special four-hour tour, you will enjoy two of the most emblematic and most visited monuments in Barcelona led by an official tour guide that specializes in “Modernismo”.

BAW & RCR a full day coach excursion to see the most emblematic works of the RCR studio, awarded with the Pritzker of Architecture 2017.

BCN & LANDSCAPE coach tour of the largest urban parks in Barcelona.

BCN & MODERNISME  4-5 h expedition, during this tour we will see all the structures of the BARCELONA & GAUDI plus the area of the 1888 exhibition.

BCN & BARCELONA 1929 a tour discovering the projects that were made for the transformation of Barcelona on the occasion of the Universal Exhibition of 1929.

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Each route is driven by a set of themes and concepts that decode the city whilst stimulating new ways of thinking about and seeing Barcelona. Come and walk with us and live a fantastic experience!!!

 

 

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