10 years walking Barcelona

Ten years ago, we embarked upon a passionate adventure; Barcelona Architecture Walks! Today we want to tell you how it all started.

This is a story about a a couple of architects from Barcelona, Elodie Grammont and Miguel Angel Borras, who decided to take a trip to Australia looking for new horizons for inspiration on the other side of the planet. In Sydney they met Eoghan Lewis, an architect that gave architecture tours. It was from Lewis they learned that one can explain a city from a different point of view. Such was the passion and enthusiasm with which Lewis explained the architecture, history and culture of his city that Elodie and Miguel Angel realized that Barcelona could benefit from the same approach. Because they have always been involved in the dissemination of architectural knowledge, they felt fully capable of setting up something similar in Barcelona.

Miguel Angel Borras, Elodie Grammont and Eoghan Lewis

So when they got down to work upon their return and after months of research and content creation they designed a route focused on the Santa Caterina Market, the most recent work of architect Enric Miralles, someone for whom they felt a great admiration.

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Santa Caterina Market by Enric Miralles

The beginning was difficult and after a period of time they realized they needed to increase the number of routes they offered to reach a larger public and show off the incredible architecture of Barcelona, which had always been their main objective. Barcelona Architecture Walks wanted to invite those visitors that wanted to learn something and discover the magic of Barcelona; that is how they fell under the charm of the city’s most idolized architect, Antoni Gaudi.

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La Pedrera, casa Milà by Antoni Gaudi

They were looking for a genuine expedition through the magial universe of “Modernismo”: offering a point of view that set itself apart from the more commercial tours. Later on another tour was added, one which explains the ins and outs of the “Eixample” or gridded area of Barcelona and how it fits into the city’s urban plan; another tour focuses on the 22@ area, an emerging technological neighborhood and the last tour explains the history of the city from its pre-Roman origins to the new skyline. It is through these different tours that Barcelona Architecture Walks gives visitors a comprehensive view of the city from its early history to its present state, a unique urban plan and fascinating architecture.

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Sant Sebastià beach

To do this Elodie and Miguel Angel have surrounded themselves with a great team of architects including Guille Genestar, Rafael Gómez, Silvia Martinez, Ricard Pons, Carmen Popescu, Jaume Prat, Jelena Prokopljevic, Daniela Sanchez, Cristina Santamaría, Pia Wortham; all of whom have a broad professional trajectory involving teaching, and dissemination of architecture. They are guides that transmit the passion and effort that has gone into the design of each of our tours while giving each tour experience a personal touch.

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Barcelona Architecture Walks Team

So, by mixing equal parts of hard work, our concerns and confidence in what we have to offer, the recognition started to appear. We have been included in articles from international publications as well as in the lists of the best architectural tours; something that we could never have imagined. We have also been rewarded with participation in international events organized by companies and universities interested in discovering the city with BAW, plus hundreds of positive reviews from our clients which in many cases help us to improve and build confidence in our product.

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Barcelona Sleepover event 2017

Today we offer five regular tours: Gaudi, Urbanism, Gothic to Modern, Barcelona and the Sea, the Future. We also have five special tours: Sagrada Famila, Landscape, RCR, Modernisme XL, Barcelona 1929-1992 which are given upon special request.

As you can probably imagine, 2020 has been difficult for the entire tourism industry, but it has also given us the opportunity to review and update, once again, what we do. We will soon be launching a virtual BAW; coming soon. The virtual BAW will display and explain Barcelona and her architecture to all of those who want to wander her streets from their own homes in these difficult times… The virtual BAW will open a window through which we will transmit our passion and knowledge.

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Las Ramblas, Gothic quarter street with the Cathedral at the end and Plaça del Rei

We will like to end by thanking all of you who have chosen to visit Barcelona to discover our city by walking with the BAW, as well as our collaborators that were part of this project from the beginning; Joan Vitoria and Jordi Garet from Globus Vermell, Carola Vega, Martina Corona y Pia Callis. Thanks to our present team of architects and virtual communicators Mavi Hita and Jaume Subirats, thanks to Joana Casals for the graphic design and to our friends and family because without their support and vote of confidence none of this would have been possible.

Do you want to help us write the next chapter of the story?

 

 

 

 

 

RCR Open Program Lectures

This year the COAC co-organizes the RCR Open Program Lectures that accompany the annual summer workshop organized by RCR Arquitectes and the RCR BUNKA Private Foundation.

RCR is an architectural firm formed by Rafael Aranda, Carme Pigem and Ramon Vilalta, based in Olot since 1988 and winners of the Pritzker Prize 2017. Barcelona Architecture Walks organizes a special tour to visit the work built by this prestigious architecture studio in the Garrotxa region of Catalonia. The search for timelessness and beauty is always present in their work, and all of their projects reveal an important connection with Japan. In all of them, we will experience stillness, quiet, silence…

This program consists of a series of 11 lectures on architecture and landscape, open to the public, with the participation of prominent artists and professionals from the world of architecture, photography, performing arts, dance, audiovisual and sound art. The lectures, which are broadcast by streaming, are each accompanied by a video-creation.

Program Architecture and Landscape · Conference Be part · Date Tuesday, July 14 , 2020 · 20:00

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María Langarita (Zaragoza, Spain, 1979) is a graduate of the Universidad de Navarra (BArch, MArch) and the School of Architecture of Madrid-Madrid Polytechnic University (PhD) and is a lecturer in Architectural Design at the School of Architecture of Madrid (ETSAM).

Together with Víctor Navarro, she founded the Madrid-based practice Langarita-Navarro in 2005, where they design and direct teams that driven by innovation and imagination help join together desire and knowledge, resources and technique, and expectations and experience.

Program Architecture and Landscape · Conference Three Projects in Switzerland · Date Wednesday, July 15, 2020 · 20:00

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Barozzi Veiga was founded in Barcelona by Fabrizio Barozzi and Alberto Veiga in 2004. The practice has since worked internationally in public and private projects receiving several prestigious distinctions. Barozzi Veiga’s work, which mainly includes cultural and educational buildings, is characterized by the intention to arrive at solutions that are rooted in place, architectures that can be perceived over time and that have an emotional content.

Program Audiovisual · Conference Movement in the Cinematographic Image · Date thursday, July 16, 2020 · 20:00

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Ivan Pintor Iranzo (Barcelona, Spain, 1975) holds a PhD in Audiovisual Communication. He is Professor of the Department of Communication of the University Pompeu Fabra (UPF), and has taught at universities in Italy, Argentina and Colombia. He has contributed in more than thirty books

Program Architecture and Landscape · Conference Gravity and some Grace · Date Friday, July 17, 2020 · 20:00

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Smiljan Radic Clarke (Santiago de Chile, Chile, 1965) graduated from the Catholic University of Chile’s School of Architecture in 1989 and undertook further studies at the Istitutto Universitario di Architettura di Venezia, Italy. He opened his own architecture firm in Santiago de Chile in 1995. Smiljan Radic is the president of Fundación de Arquitectura Frágil. The aim of the foundation is to promote the study and dissemination of experimental architecture or that of an improbable reality, where the boundaries of architecture are blurred.

Program Photography · Conference The Silence of Light: The Magic Light· Date Monday, July 20, 2020 · 20:00

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Hisao Suzuki (Yamagata, 1957) is a Japanese photographer who lives in Barcelona for more than 30 years. He studied photography at the Tokyo College of Photography (Tokyo Sougo Shashin Gakko) and starts his carreer with the photographer Tohru Minowa, specialized in gastronomy. His relationship with Barcelona and his interest in architecture are intimately linked with the work of Antoni Gaudí.

Program Performing Arts· Conference Architectural Camouflage· Date Wednesday, July 22, 2020 · 20:00

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The interdisciplinary approach of La Fura dels Baus has led to an amalgamation of ritual and atavism with the hypertechnological in the scene: from the first impact furan proposals, through Olympic ceremonies, opera stagings or online productions. Since 1979 the company has also been studying the methodologies for creating the collective and the consolidation of new stage discourses. The capacity for risk and creative contagion has given La Fura wide international recognition, both at the level of the public and critics, and also with regard to academic research.

Program Architecture and Landscape · Conference William Curtis with RCR: Dream and Nature · Date Thursday, July 23, 2020 · 20:00

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William J. R. Curtis (Birchington, Kent, United Kingdom, 1948) is an architectural historian, critic, writer, painter and photographer. He graduated in 1970 from the Courtland Institute of Art at the University of London and received his PhD in 1975 from Harvard University. He is one of the most prominent critics and historians of modern and contemporary architecture.

Program Scenography · Conference Where does the lost time go? · Date Friday, July 24, 2020 · 20:00blank

José Manuel Castanheira (Castelo Branco, Portugal) has a PhD in Architecture and Scenography, and has been teaching at the University of Architecture of the University of Lisbon since 1982. His vast work is characterized by the diversity of disciplines he touches, mainly Scenography and Theatre Architecture, Exhibition Scenography and Painting. He has been awarded national and international prizes and has directed practices and seminars in festivals, universities and other instituti

Program Sound Art· Conference Conference on nothing architecture · Date Monday, July 27, 2020 · 20:00

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cabosanroque is a duo of sound artists that was born from a large musical collective formed in Barcelona in 2001. Halfway between visual and performing arts, and experimental music, their work revolves around the performative capacities of the machine, the object and sound. Since 2015 they have been artists in residence at the Lluís Coromina Foundation in Banyoles.

Program Dance · Conference When silence comes · Date Wednesday, July 29, 2020 · 20:00

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Pep Ramis (Manacor, 1962) studies violoncello, puppets and voice techniques. He is a stage director, dancer-actor, co-director of the company Mal Pelo and co-director of L’animal a l’esquena. From 1987 to 1988 he participated as an interpreter in the show Scirocco by Adriana Borriello, Italy. Within the creation group Mal Pelo he develops his facet as a set designer and installation spaces.

María Muñoz (Valencia, 1963) studies music, dance and practices competitive athletics, with training in Amsterdam and Barcelona. She is a choreographer, dancer and co-director of the company Mal Pelo and co-director of L’animal a l’esquena.

FULL PROGRAM

20 years without Enric Miralles

Last July 3rd was the 20th anniversary of the death of Enric Miralles, a great architect and one of our favourite masters. Today we want to share a great article by Anatxu Zabalbeascoa on the occasion of this anniversary.

Enric Miralles (Barcelona, ​​1954-2000) did not distinguish between buildings from the past and current buildings. “If they have arrived until today, they are current,” he said. For him, building was not the end point in any job, it was the beginning. “The feeling of unfinished work prints vitality, modesty, the aspiration to work over time and not against it.” He was convinced that time was not to be feared, one had to prepare to assume it. “Any construction that has been able to survive the passage of time is, by definition, a continuous transformation,” he justified.

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Enric Miralles © RICARDO SÁNCHEZ VELÁSQUEZ

Few architects have faced architecture with Enric Miralles’ broad mind. Disappeared on July 3, 2000, at the age of 46, after a sudden brain tumor, he left the world –Germany, Holland, Scotland, Barcelona, ​​Alicante or Japan– a range of masterful and unexpected projects with something in common: the ability of building a place. Except for the skyscraper he built in Barcelona for Gas Natural, his works were, are, more a topography than a building, something closer to nature than to reason or geometry. The Igualada Cemetery, where it is buried, is made of the passage of time. It is, like so many of his works, a work in perpetual transformation. It has been built with the death of the people who give it life. So it is the opposite of a grave.

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Igualada Cemetery © HISAO SUZUKI

In addition to works, Miralles also left a trail of disciples capable of thinking for themselves. The reason is simple: he was an eucalyptus-architect. Inimitable, nothing could have grown in its shadow. However, it was clear to me that architecture is teamwork. That is why his office, headed by his latest partner –and wife– Benedetta Tagliabue, was able to complete the great projects that he had hardly planted abroad.

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Enric Miralles and Carme Pinós, Archery Pavilion

No one in Spain has yet been able to take his place. Only the ability to take risks, surrender and reinvent yourself in each project of SelgasCano he speaks a language – not a style at all – equally ambitious. EMBT (the initials of Enric Miralles and Benedetta Tagliabue), turned into a notable architecture studio, knows it. In addition to their own projects, they have a legacy to manage and they do so from the Enric Miralles Foundation, which the city council has commissioned to remember the architect two decades later.

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Eurhythmics Center, Alicante © DUCCIO MALAGAMBA

Miralles asked the projects enough intensity not to get bored. The intensity in architecture means that, in the midst of mourning for a loved one, someone can have a moment of peace losing their gaze in a cemetery that, devoured by vegetation, makes them think more about the cycle of life than death that has taken you there. So the intensity that complicates the projects also settles them. It multiplies their use, makes them stay in time. Miralles took risks: in Alicante he built a sports pavilion that, far from most stadiums, is a micro-world that allows coexistence between sports and discovery. In Morella (Castellón), with the architect Carme Pinós, built a school that is both part of the mountain and the precipice. In Frankfurt he knew how to work with industry for the city’s Music School and in Utrecht he explained, expanding the old town hall, that the layers and traces are the document where the time of a place is condensed.

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Utrecht Town Hall Extension

Over time, and against what little he had in this world, he built what today, with the distance of two decades, can be judged as an outstanding legacy. Associated first with Carme Pinós and later with the mother of his two children,. the Italian designer Benedetta Tagliabue Enric frequently spoke of moving, of the idea that architecture –like literature– reappear elsewhere. And although it consolidated a very personal way of projecting, it ensured that most of the ideas we have are not ours. “They are part of a kind of spirit of a time that is given by the ability to interpret of a society,” he once said.

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Scottish Parliament © DUCCIO MALAGAMBA

When he was over 40, Rafael Moneo wrote a famous judgment: Miralles ran the risk of becoming an architect “with more past than future”. Time has shown that the author of the Merida Museum was wonderfully and sadly wrong. It turned out that Miralles had little time left, but in those years he was able to build a universe. His posthumous works were mostly international: the Expansion of the Utrecht City Hall –built by letting each age speak– or the Scottish Parliament –a place close to the outside and open to dialogue– demonstrate today that, as with the best architecture, it is impossible date those jobs. Miralles worked with time, multiplying it, understanding it, advancing it and assuming it. He said that a house must have an intensity similar to how you live. Also that, through the architecture itself, I learned to make architecture: “The experiment is linked to the duration of your life, not to the duration of your buildings.”

Article in Spanish

BAW at Time Out Barcelona

Barcelona Architecture Walks amoung the 9 best Barcelona walking tours

There is no better way to return to normal than by sharing some great news: the Time Out Barcelona has published an article that puts us amoung the 9 best Barcelona walking tours; which makes us extremely happy to be included in their ranking of tours of Barcelona.

Time Out is a global media and leisure business that inspires and enables people to explore and enjoy the best of the city. Time Out began in London in 1968 when they helped people discover the exciting new urban cultures that had started up all over the capital. Since then, this iconic brand has consistently maintained its status as the go-to source of inspiration for both locals and visitors alike.

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Here is what they say about Barcelona Architecture Walks:

What’s better than gazing in wonder at Barcelona’s beautiful architecture? Gazing in wonder at Barcelona’s beautiful architecture while guided by a knowledgeable, engaging architect. This particular tour from Barcelona Architecture Walks highlights the beginnings of modern Barcelona and the influence of Ildefons Cerdà’s Theory of Urbanization. That said, if eclecticism or maritime history is more your speed, or if you want to learn more about Enric Miralles or the future of Barcelona’s skyline, go for one of the other tours focusing on Gaudí, or neighbourhoods such as Barceloneta, the Gothic Quarter or Poblenou.

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Across these platforms, Time Out distributes its high-quality content – written and curated by local expert journalists – around the best food, drinks, culture, art, music, theatre, travel and entertainment in 328 cities and 58 countries.

So as you can imagine, we are delighted and so proud about this article!

We can’t wait to see everyone who wants to discover our great city. During this hiatus we have been preparing everything to ensure a safe return to normalcy, by guaranteeing we have adopted all the recommended sanitary measures and more; our tours will live up to all of your expectations and be as fun as always!

Full article

 

CuriosityStream collaboration

The final result of our collaboration with CuriosityStream

Today we are very happy to share our collaboration with CuriosityStream.com, they contacted Barcelona Architecture Walks to ask for help in making the documentary “The History of Home”.

CuriosityStream.com was started by the founder of the Discovery Channel and streams the world’s top-tier history, science, and nature documentaries. They have recently received Emmy nominations and awards for their work.

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This is a 3-part documentary about “The History of Home”. In this film they will be showing the world’s most iconic and storied homes to see how they have evolved throughout the ages and become a shape shifting reflection of who we are. In the series they will meet with historians, architects, writers and homeowners to understand the story and the historical importance of these famous homes.

As a part of this story, they were interested in the work of Antoni Gaudi and his importance in architectural history; which is why they contacted Barcelona Architecture Walks. They were filming with Miguel Angel Borras, our CEO, in September in some of Gaudi’s famous homes. We participate in the series with an explanation of Gaudi and his Casa Vicens and Casa Milà.

Here you have the trailer and you can find the complete documentary at @curiositystream.

 

We are very proud of this collaboration and we love the final result!!!

 

Best guided tours in Barcelona

Barcelona Architecture Walks amoung the top 5 best guided tours in Barcelona

Hi walkers!

After the difficult weeks we have been through recently Barcelona is slowly returning to “normal”. Soon our streets and parks will be able to welcome back all those visitors we have missed so much these past months.

There is no better way to return to normal than by sharing some great news: the blog DestinationMundo.com has published an article that puts us in the Top 5 Best Guided Tours in Barcelona. DestinationMundo.com is a dedicated travel and resource blog with the aim of helping travelers and readers on their journey around the world; which makes us extremely happy to be included in their ranking of tours of Barcelona.

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Here is what they say:

One of the biggest attractions to Barcelona is the amazing and beautiful architecture by Antoni Gaudi. The modernist architecture by Gaudi is all around the city and this company offer the best guided tours. From the unmissable Sagrada Familia and La Pedrera, this tour covers it all. All the guides on the tour are practicing architects, meaning that they have expert knowledge on the subject and can answer any specific questions you may have.

The Barcelona & Gaudi Tour lasts around 3 hours, costs around €38 per person and is listed as one of the world’s top five architecture tours by The Sydney Morning Herald. All tours offered by the Barcelona Architecture walks allow for rich discussion between the groups and guides, a must do if you in the city.

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We can’t wait to see everyone who wants to discover our great city. During this hiatus we have been preparing everything to ensure a safe return to normalcy, by guaranteeing we have adopted all the recommended sanitary measures and more; our tours will live up to all of your expectations and be as fun as always!

 

Here the full article

 

Facts about Sagrada Familia

Some facts you need to know about Gaudí’s Sagrada Familia, Barcelona’s most visited attraction

In his time, Gaudí predicted that “people would come from all over to see the Sagrada Familia,” and that the Temple would “influence art”. And this has been the case for the over one hundred years the Basilica has been under construction. Throughout this time, the Sagrada Família has welcomed visitors who have been key to raising awareness of the Temple, especially its architecture, around the world.

For 135 years, Barcelona’s Sagrada Familia has slowly been marching its way toward completion. The focal point of famed architect Antoni Gaudí’s career, the church has undergone trials and tribulations, but is finally reaching the end of construction.

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Photo: Luciano Mortula – LGM / Shutterstock

An unforgettable part of Barcelona’s skyline, its multiple facades and towers are stuffed with ornate sculpture and mosaics, making it a feast for the eyes. With the project stretching on for generations, everyone from author George Orwell to architects Walter Gropius and Le Corbusier have given their opinions on the architecture. Orwell was not impressed, calling it “one of the most hideous buildings in the world.” Gropius and Le Corbusier were kinder, praising its technical perfection.

With such a complicated history, let’s look at some of the salient details about the Sagrada Familia as it marches toward the finish line.
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Photo: Luciano Mortula – LGM

It all started with a bookseller.

What would turn out to be Gaudí’s masterpiece started due to a bookseller’s trip to the Vatican. Josep Maria Bocabella visited Italy in 1872 and returned feeling inspired to build a church similar to one he’d seen there. Funded by private donations, construction started ten years later, in 1882.

Gaudí was not originally involved in the project.

The original architect, Francisco Paula del Villar, planned on creating a standard Gothic revival church. When he resigned one year into the project, after the apse crypt was complete, Gaudí took over, radically changing the plans.

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Clockwise from top left: Sagrada Familia in 1905 (Photo: Wikipedia) / Construction in 1988 (Photo: Wikipedia) / Rendering of finished church.

It’s taken longer to construct than the Great Pyramid.

Gaudí was in his early 30s when he became involved with what would become his life’s work. From about 1914 onward, he gave up all other projects in order to focus exclusively on the Sagrada Familia. At the time of Gaudí’s death in 1926, less than a quarter of the construction was finished and work only passed the midway point in 2010.

Currently, things are on track for construction to wrap up in 2026 in celebration of the centenary of Gaudí’s death. If things stay on schedule this will mean that it took 144 years to reach completion. That’s around 10 times longer than the construction of the Great Pyramid of Giza and 123 years longer than the time needed to finish the Taj Mahal.

Gaudí never worried about how long it would take.

Contrary to what one might think, Gaudí was never concerned about the pace of construction. In fact, he once said, “My client is not in a hurry.” As the architect was keenly aware that the church would take generations to complete, he kept his plans fluid, often making changes on the fly while visiting the site.

“There is no reason to regret that I cannot finish the church. I will grow old but others will come after me. What must always be conserved is the spirit of the work, but its life has to depend on the generations it is handed down to and with whom it lives and is incarnated.” This was Gaudí’s philosophy when it came to finishing his masterpiece, but not everyone agrees.

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Photo: Veniamin Kraskov

Gaudí is buried there.

It seems only fitting that the man who dedicated the later part of his life to the church be buried there. Dying a few days after being hit by a tram in 1926, the acclaimed architect was laid to rest in the crypt. The only other person buried in the Sagrada Familia? Josep Maria Bocabella, of course.

Technology is speeding things up.

Advances in stone cutting technology mean that pieces that were once hand-carved—a long, laborious process—can now be produced more quickly thanks to computers.

In 2015, the cathedral’s chief architect Jordi Coll implemented 3D printing technology in order to better conceptualize how new portions of the church will integrate into the older construction. “If Gaudí was alive today, he would have brought 3D technology to its maximum exponent, since much of his work was already conceived tri-dimensionally,”

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Photo: Yevgen Belich

Each spire holds a symbolic significance.

The original design calls for eighteen spires to symbolize the Twelve Apostles, Virgin Mary, Four Evangelists, and Jesus Christ. The spires increase in height to visually represent the hierarchy of these religious figures. When completely constructed—only eight are currently finished—the tallest spire representing Jesus Christ will give the church its full height of 560 feet. This will put it just slightly shorter than Montjuïc hill, Barcelona’s highest point. It was an intentional decision by the architect, who felt that nothing made by man should surpass what was made by God.

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Photo: The World in HDR

It’s the most visited tourist attraction in Barcelona.

More than 3 million people visit the Gaudí masterpiece every year. What keeps them coming back? “People are still so fascinated because there is no other place like this one in the whole world—no other contemporary church, fully paid by the people, which has an inside nave that reaches 60 meters in height,” explains Tate Cabré, author of several books about Catalan Modernism. “[It’s] a magic atmosphere to create good feelings in the visitors. They are overwhelmed and keep visiting the church every time they come to Barcelona. Sometimes you get visitors that have been in the church nine or ten times.”

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LOOK here our Sagrada Familia Special tour

I will travel again!

Hi walkers!

Ten years ago, we began a passionate adventure, Barcelona Architecture Walks; a small company led by Miel Architects that aims to bring the architecture, culture and history of Barcelona closer to its visitors by offering the unique experience of discovering our city from an architect’s point of view. 

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The beginning was not easy, but we slowly began to reach more and more people in those first ten years. We have had the honor to walk with all of you who felt that our tours could offer something different. We have been able to participate in events like Barcelona Architecture Week and the Sleepover, we have welcomed hundreds of students from prestigious universities around the world, we have played host to a great number of companies who chose Barcelona as business destination, and so little by little we were realizing our dream: to convey the passion we feel for Barcelona to a larger public.

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This year we were about to launch the spring season (our busiest time of the year) when the pandemic caused the difficult situation the world is now living through. We are not going to lie, these are very hard times, but we are sure that we will come out of this stronger than before. 

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For this reason, we have decided to take action and be a part of the movement “I Will Travel Again”; a website that enables viewers to purchase online gift cards for thousands of tours, tourist attractions and activities around the world. So please spread the word and encourage others to do the same.  You will find us on their website if you are planning on visiting Barcelona in the future. We await you with open arms loaded with enthusiasm to walk you through our city. 

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Barcelona Architecture Walks is no stranger to unpredictable setbacks; we are adapting to the situation and look forward to seeing you. Help spread the word and tell the world we will be back. Although travel is still restricted, we can still dream of the day we will be traveling again. 

In the meantime, we hope you are all well, take care, stay safe and see you soon!

 

Let’s tell the world we will be back! Join the movement I Will Travel Again!!!

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Emergency Architecture

Designers Respond to Crisis: Emergency Architecture

The COVID-19 pandemic has shown yet again how designers are needed to reimagine emergency shelters. With an estimated 900 million people around the world to remain at home because of the virus, there are also a number of hospitals without the necessary beds to treat infected patients. At the same time, the need for emergency shelters is tied to many types of crisis, not just this virus or a pandemic.

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Courtesy of SO

As a more significant part of the world population is being treated or living in vulnerable conditions due to disasters, designers can help reimagine how temporary or emergency structures can work. There are a variety of solutions to temporary structures adapted to the type of disaster (refugee migration, earthquakes, pandemics, etc.) that can best address the affected population. The following projects showcase how architects and designers have rethought emergency shelters to serve basic needs, as well as one example designed to treat patients of the latest pandemic.

Carlo Ratti Creates Intensive-Care Pods for the COVID-19 Pandemic.
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Courtesy of CRA-Carlo Ratti Associati with Italo Rota

Carlo Ratti Associati with Italo Rota developed CURA (Connected Units for Respiratory Ailments), a series of plug-in Intensive-Care Pods for the COVID-19 pandemic. An open-source design for emergency hospitals, the project’s first unit is currently under construction in Milan, Italy. Converting shipping containers into plug-in Intensive-Care Pods to fight the coronavirus, CURA a ready-to-use solution consisting of rapidly mounted, easily movable and safe units.

Maidan Tent is Built for Emergency Aid in Greece
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© Delfino Sisto Legnani and Marco Cappelletti

In an effort to aid the plight of refugees around the world fleeing war and persecution, two young architects in 2016 embarked on a project designed to improve the mental health of refugees in camps. Led by Bonaventura Visconti di Modrone and Leo Bettini Oberkalmsteiner, and supported by the UN International Organization for Migration, “Maidan Tent” allows refugees to benefit from indoor public space – a communal area to counteract the psychological trauma induced by war, persecution, and forced migration.

Yale Students Propose Pop-Up Religious Buildings to Sustain Culture
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Courtesy of Lucas Boyd and Chad Greenlee

Lucas Boyd and Chad Greenlee from the Yale School of Architecture came up with proposal designs on churches, synagogues and mosques that can be quickly built as “Pop-Up Places of Worship” in refugee camps. By presenting immediately-recognizable sacred spaces that are transportable and affordable, Boyd and Greenlee highlight spaces for worship as a necessity in any type of human settlement.

New Pop-Up to Rebuild Nepalese Lives in “Just a Minute”
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Courtesy of Barberio Colella ARC

Following the most costly earthquake in their history, hundreds of thousands of Nepalese residents were rendered instantly homeless. To help these people reorganize and get back to a familiar way of life, Barberio Colella ARC designed a temporary structure using local materials “to make a house that can be built quickly, lightweight and compactly, durably and economically.”

Gridshell Shelter Uses Air-Filled Cushions for Construction
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© Jirka Jansch

SheltAir, a pavilion developed and designed by Gregory Quinn as part of his doctoral thesis at the Berlin University of the Arts is, as its name suggests, a shelter constructed with the help of air: a meticulously devised system comprising an elastic gridshell and pneumatic falsework in the form of air-filled cushions. SheltAir’s pneumatic system makes it quick, cost-effective, easily deployable, and ideal as a system for temporary events or even as refugee shelters in disaster-stricken areas.

 

 

Santa Caterina Market

On our tour BARCELONA & GOTHIC TO MODERN we explore the ideas and mindset of Enric Miralles, the genius of our lifetime. He and his firm, EMBT, designed one of the most brilliant works of architecture in the city: the renovation of the Santa Caterina Market. Today we want to explain some more details about this great project.

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Santa Caterina market was built in 1848 and the restoration project sought to exploit the multifaceted nature of its surroundings and devise a solution where the commercial use of the building is complemented by the residential buildings and by the public spaces that criss-cross this part of the city.

The rehabilitation project of the municipal market of Santa Caterina is one of those works that are systematically being used as a reference for other projects.

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© Alex Gaultier

The option of demolishing the buildings was rejected at the outset. The idea was that the market’s new look should still intrinsic to the history of the place. Thus, new structures were erected over old ones, mixed in and blended with them so that the whole thing appears as a conglomerate, a hybrid that is at once useful and contemporary yet reveals the building’s history. The roof has been clad with glazed porcelain tiles fired at low temperature.  These are white paste tiles that allowed us to work with brilliant, transparent glazes. This was particularly important if they were to produce the very crisp colours they had decided on when they conceived the project.

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© Alex Gaultier

Description of the project by EMBT

A competition was opened to restore the Santa Caterina city market located in the old quarter of Barcelona in 1997. EMBT won the bid with a proposal that aimed at incorporating the extreme complexity of the setting itself by creating a commercial market complemented by a residential zone and public spaces that integrated all the activities of the neighborhood.

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© Roland Halbe

The project maintains parts of the existing structure and the architects proposed a new and creative render of the area which respected the history and context of the site.

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© Alex Gaultier

The proposal superimposes new architecture on old, mixes them, and comes up with a conglomerate, a hybrid that accentuates usefulness and is contemporary. The interior distribution of the market was reorganized; there are fewer stands but the access and service systems are rationalized; the surface area of public spaces gains ground and communicates with the Avinguda Francesc Cambó, an important transitional vein in the neighborhood also surrounded by a dense network of narrow streets.

Books, documentaries and other recommendations

Hi Walkers, Barcelona Architecture Walks team is currently unaffected by the COVID-19 virus, but the Spanish government has declared a nationwide state of emergency. We are therefore obligated to suspend our walking tours at least for the next 15 days.

We are convinced the worldwide effort will soon end the expansion of the COVID-19 virus and that we will once again be able to offer our enlightening architecture tours!

Immediately after our national quarantine we will update the availability of our urban walking routes. All of our architect/guides are eager to share our insights into the values and wonders of architecture and urbanism in Barcelona.

Meanwhile, why not browse this list of recommendations that are all free and easily accessible online?

Fundacio Mies van der Rohe video channel on Vimeo

The Digital Space for Modern and Contemporary Catalan Architecture AC

Books some of which are well-known classics of architecture literature, but we hope you find a few surprises as well.

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1. Vitruvius: The Ten Books on Architecture (15 BC)
By Vitruvius Pollio
Quite simply, one of the most influential architecture books of all time.

2. The Stones of Venice (1851)
By John Ruskin
The Stones of Venice is Ruskin’s sequel to The Seven Lamps of Architecture. If you have been or want to go to Venice, this books provides comprehensive studies and sketches of the city.

3. Le Corbusier: Elements of a Synthesis (1968)
By Stanislaus von Moos
Elements of a Synthesis is a precise and systematic dissection of Le Corbusier’s life and work.

4. Design and Analysis (1997)
By Bernard Leupen, Christoph Grafe, Nicola Kornig, Mark Lampe and Peter de Zeeuw
Written by a team of professors at TU Delft who advocate for “design analysis” – a way of fusing research and education for the advancement of design practices.

5. Surrealism and Architecture (2005)
Edited by Thomas Mical
Thomas Mical attempts to show the significant connection between surrealist painting and architecture.

6. The Architecture of the City (1982)
By Aldo Rossi
Pritzker winner Aldo Rossi’s take on urban planning’s impact on the construction of the city. His urban theories were considered groundbreaking at the time this books was published.

7. Louis Sullivan As He Lived: The Shaping Of American Architecture (1960)
By Willard Connely
Willard Connelly’s biography of the influential Louis Sullivan, mentor to Frank Lloyd Wright and the man who made Chicago the steel city it is today.

8. De Re Aedificatoria (1443)
By Leon Battista Alberti
Also known as On The Art Of Building, De Re Aedificatoria was the first book on Architecture printed during the Renaissance. It is considered by many to be as important an example of early architectural writing as Vitruvius’ Ten Books.

9. Architecture And Furniture (1938)
By The Museum Of Modern Art
These essays highlight Alvar Aalto’s designs in architecture and furniture. Originally published as a companion to a furniture and design exhibition at the MoMA in 1938, the highlight is Aalto’s early use of new and innovative wood products.

10. The Lesson Of Japanese Architecture (1936)
By Jiro Harada
With plenty of accompanying graphics, this gives an overarching perspective on Japanese Architecture from pre-Buddhist Japan until the 1930’s.

11. Four Walking Tours Of Modern Architecture In New York City (1961)
By Ada Louise Huxtable
Huxtable was the first architecture critic at The New York Times and a Pulitzer Prize winner. This, one of Huxtable’s lesser known books, still has relevance to this day (even if a few of the buildings have had name changes).

12. Modern California Houses; Case Study Houses 1945-1962 (1962)
By Esther McCoy
Designed by architects such as Richard Neutra and Pierre Koenig, these houses defined west-coast architectural theory at the time.

 

And here some of the best architecture documentaries

1.The Pruitt-Igoe Myth (2011) Director: Chad Freidrichs. 83 mins.

In 1954, the newly constructed Pruitt-Igoe towers in St. Louis, Missouri, designed by WTC architect Minoru Yamasaki , were “radiant examples of Corbusian rationalism,” symbols of the promise of Modernist architecture to renew our cities, particularly for lower class residents. A mere two decades later, the towers, hotbeds of violence and crime, were spectacularly demolished – becoming potent symbols of both social housing and Modernism’s supposed failure.

2.Urbanized (2011) Director: Gary Hustwit. 82 mins.

75% of the world’s population is expected to live in urban centers by 2050. With this in mind Gary Hustwit, following his previous works Helvetica and Objectified, adds Urbanized to his design trilogy. Urbanized, which looks at the design of urban centers, shows Huswit city hopping to 40 different locations to talk with those in the know, including architectural heavyweights like ,  and .

3.Koolhaas Houselife (2013) Directors: Ila Bêka & Louise Lemoine. 58 mins

“First project of the Living Architectures series, Koolhaas Houselife portrays one of the masterpieces of contemporary architecture. The film lets the viewer enter into Rem Koolhaas‘s house’s daily intimacy through the stories and daily chores of Guadalupe Acedo, the housekeeper, and the other people who look after the building. Pungent, funny and touching.”

4.Eames: The Architect and the Painter (2011) Directors: Jason Cohn & Bill Jersey. 84 mins.

Narrated by James Franco, this documentary offers a glimpse into the marriage of Charles and Ray Eames, a marriage of art and industry, and the design history that came from it.

5.How Much Does Your Building Weigh, Mr Foster? (2010) Directors: Carlos Carcas, Norberto López Amado. 78 mins.

A documentary on the exponential rise of Sir Norman Foster and his “unending quest to improve the quality of life through design.”

6.Philip Johnson: Diary of an Eccentric Architect (1997) Director: Barbara Wolf. 55 mins.

This documentary is a treat for any architect: a guided tour of Philip Johnson’s work by the bespectacled man himself, including a long, lingering look into Johnson’s “diary” — the famous “Glass House” he designed and lived in. The doc also offers a fascinating peek into this master architect’s eccentric creative process.

7.Unfinished Spaces (2011) Directors: Benjamin Murray, Alysa Nahmias. 86 mins.

The story starts in brave new revolutionary Cuba. Castro, eager to bolster the ego of his new state, makes the grand gesture of commissioning three new schools of art. A trio of young visionary architects are called upon and soon construction starts on their radical designs. However, Soviet utilitarianism becomes popular in the fledgling communist state.

8.Citizen Jane: Battle for the City( 2016) Directors: Sabine Krayenbühl e Zeva Oelbaum. 1h32min

Launched four years ago, on the centenary of American urban activist Jane Jacobs, the film aims to present a glimpse of Jacobs’ past, based on his book, The Death and Life of Great American Cities, and on the confrontations with Robert Moses, stressing the legacy of this prominent figure in world urbanism. The urbanist symbol of the struggle for the improvement of urban space design.

9.BIG TIME (2017) Director: Kaspar Astrup Schroder. 1h33min.

As one of the highlights of contemporary architectural production, ahead of the Danish BIG office, Bjarke Ingels is now considered one of the largest and most promising names in the creative industry. With an uneasy profile, always in search of new challenges – trying to overcome them, and above all creatively inspiring, in this documentary Ingels is portrayed from a professional and personal point of view.

10.The Human Shelter (2018) Director: Boris Bertram

The Human Shelter, a documentary about what people value or “need” in their lives, ties into a fundamental quality that any architect would be foolish not to cultivate: the ability to listen and perceive what makes people feel at home. Bertram teamed up with IKEA to make the film and involved organizations such as the United Nations, NASA and the MoMA in New York.

 

And remember, stay healthy and stay curious!

8 Architecture Movies

 

Architecture is the scenery of the cinema. Landscapes, houses, and cities consist the frames where filmmakers insert people, lives, and feelings. Their connection is beyond doubt and in some cases the results of this mixture are extraordinary. The following list is a selection of movies where architecture plays the key role in the storytelling or forms the background of the stories of the people producing it, the archis.

1.The belly of an architect (1987)

Architect Stourley Kracklite comes from Chicago to the eternal city of Rome to curate an exhibition dedicated to his favorite and visionary architect Etienne-Louis Boullée. Peter Greenaway, who directs the movie, explores the relationship between the city and the monuments, the fertile ideas and the role of the architect who keeps distinguishing the design from the construction. The exhibition takes place in the monument of Victor Emmanuel III, a pompous mass of white marble, planted in the heart of the historic city.
The director, using his bitter humor, explores the utopian side of architecture, presenting all the unfinished or unrealized projects. The peculiar symbols he uses, with the controversial meaning, transfer us to a dreamy but at the same time nightmare world. The spherical forms dominate the film: fruits, a gyroscope, Newton’s cenotaph, the belly of Kracklite’s pregnant wife and finally his own belly that grows uncontrolled and lets reality take place where he is absent.

 

2. Medianeras/Sidewalls (2011)

“Never before people’s roofs were close to one another as they are today. And never before people’s hearts were so far from one another as they are today”. [2] The title is not random as it concentrates wisely on the whole argument of Gustavo Taretto’s work. Sidewalls are literally the blind walls of the huge blocks of megacities and simultaneously they represent the “walls” that stand between people of urban centers, preventing them from communication.
Martin lives alone in an apartment in Buenos Aires, taking care of his dog, making a living out of web design. Marianna lives in the building next-door decorating shops with mannequin dolls as she was never able to work as an architect. While they live next to each other they have never met.
Starting from these two stories, the director focuses on recording the diseases of the modern society: loneliness, sense of isolation, the lack of uniqueness into the crowd. The images are simple and realistic: block of flats in endless lines reminding us of hornet’s nest, plants growing unexpectedly out of concrete and illegal windows built on sidewalls to let the light in.

 

3. Koyaanisqatsi: Life Out of Balance (1982)

This film has one idea, a simplistic one. It contrasts the glory of nature with the mess made by man. Directed by Godfrey Reggio and with the beautiful soundtrack of Philip Glass, it is an impressive visual and acoustic experience, trying to alert us to the environmental dangers caused by human beings.
Among other landscapes and places of the 1970’s America, we also watch the demolition of Pruit-Igoe Public Housing project in Saint Louis, Missouri. Designed by modernist architect Minoru Yamasaki, it was considered for a long time a model for urban renewal.[3] However, due to the absence of political will, the decrease in the industrial economy, and rising racism towards this working class “ghetto”, Pruit-Igoe fell into disrepair and never recovered. Its demolition signed also the end of modernism.

 

4. In exchange for five apartments and one shop! (2005)

This docu-essay describes, above all, the architectural and social evolution of Athens as shown in Greek fiction films (from the oldest Greek fiction film of 1924 to those of 2004). It focuses on the general change of the cityscape of Athens due to economic and social transformations. The presence and the narration of four actors who are stigmatized by their interpretation in films of different time periods and cultures are crucial. The architectural and sociological trek is divided thematically into five sections: The Introduction, The Age of Innocence, The Explosive Adolescence, The Adulthood, and the Epilogue.

 

5. Dark City (1998)

As in its predecessor Metropolis, Dark City by Alex Proyas, presents to us a false world trying to fabricate ideal societies that are doomed to fail when a free spirit person starts questioning the things that surround him. In this city with no light, human memories are fabricated from the beginning, when the clock shows “midnight”. This is an experiment held by the Strangers who have collected a group of people in an artificial society to study them.
All humans lose consciousness. All machinery stops. Changes are made in the city. Skyscrapers are extruded from the primordial materials of the underworld, architecture is devised, rooms are prepared for their inhabitants, props are set in place.

 

6. The infinite happiness (2015)

The film spotlights the work of Danish architect Bjarke Ingels and his innovative ‘8’ housing development in Copenhagen. Filmmakers Ila Beka and Louise Lemoine instead of interviewing the architect on his projects and work, they prefer to follow the life of the residents of this community who share their stories and experiences of living in this new space.
Most of them share funny and happy everyday stories, from birthdays, outdoor activities to Halloween and family gatherings, while there is one of them mentioning his anxiety towards tourists who experience this building as a public space. The fact that sociable housing is a novelty even in Denmark, reveals the large ideological barrier that 8 seeks to overcome.

 

7. Blade Runner (1982)

In this dystopian science fiction movie, Ridley Scott introduces the viewer to another megacity society falling into decay. Los Angeles in the year 2019 is dark and almost an abandoned city where Replicants – cyborgs engineered by humans for entertaining purposes – try to find shelter to expand their lifespan. Rick Deckard is a “blade runner”, or a hunter of Replicants who lives in Frank Lloyd Wright’s Ennis House.
Unlike the futuristic exteriors of the film scenery, with tall skyscrapers and the rapid evolution of the cars and machinery, the interiors seem dusty and old with conventional, standard furniture, a controversial image, pointing out the decrease of capitalism and habitation of living through architecture.

 

8. The architect (2016)

In this recently released film, Jonathan Parker gathers all the stereotypes that form an architect to his main character Miles Moss, who is hired to design a house for a married couple. He is arrogant, self-centered and obsessed with his work. Is he building their dream house or his dream masterpiece? Just a light comedy to make us wonder about our profession and how the world sees us.

 

 

5 Iconic Buildings that Changed Our Perception in Raw Materials

 

The history of architecture shows that the use of raw materials has always been somewhat common, whether in ancient vernacular techniques or within the Brutalist movement, to name a few. It is evident that the language of a project is often linked to its material, as various sensations and the perception of space are directed by the aesthetic and physical quality of the given element. For this reason, we have gathered five buildings that highlight the quality of their materials, whether to make a statement, reinterpret a technique from the past, or to re-signify the potency of some of these elements.

Barcelona Pavilion / Mies van der Rohe

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© Gili Merin

An emblematic work of the Modernist Movement, the project was built in 1929 as the German National Pavilion for the Barcelona International Exhibition. Mies van der Rohe traces its minimalist language through the use of materials that were at the heart of modernity. The pavilion’s characteristics stand between the geometric rigor in horizontal and vertical planes, and the clarity of assembly through the extensive use of metal structures and glass throughout. In this particular project, the adoption of different types of marble on the walls marks the aesthetic value of this material that ends up protagonizing the space.

 

Memorial Steilneset / Peter Zumthor + Louise Bourgeois

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Born to a carpenter father, Zumthor had his contact with wood very early and began working with this craft since 1958. Years later, the architect received the Pritzker Prize in 2009, and joined the French artist Louise Bourgeois to design the Steilneset memorial in 2011. Here, wood appears as part of the expressive material of the pavilion that relates directly to the context, taking inspiration from the vast shelves used to dry the daily catch. The project has been implanted in a region where men and women were accused of witchcraft during the 17th century for 100 years, and were burned at the stake and tortured. The 125-meter structure runs along the rocky beach and its vegetation, setting a landmark in the region.

 

SESC Pompeia / Lina Bo Bardi

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© Pedro Kok

The sports complex of Sesc Pompeia is resolved by exposed concrete volumes that are connected by pre-stressed concrete walkways. The buildings are marked by the forms (wood, styrofoam, and plastic) used during concreting. The architect’s famous phrase “I have the same horror for air conditioning as I have for carpets”, inspired the creation of openings that allow cross ventilation within the blocks, which according to the architect, are like “prehistoric ‘holes’ in the caves, without glasses, with nothing”.

 

Bank of London and South America / Clorindo Testa + SEPRA

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© Federico Cairoli

One of the most acclaimed buildings of Brutalist architecture, the Bank of London and South America presents a composition that introduces a new dynamic to the urban fabric through the contrast with its neighbors and generosity of the circulation of pedestrians. Testa achieves this “primordium” by a light glass façade, that goes almost unnoticed, as it is indented by the sequence and rhythm of different thicknesses of the concrete columns on the perimeter of the street, all with the sculptural factors that the interiors possess.

 

Humanidade2012 / Carla Juaçaba + Bia Lessa

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© Leonardo Finotti

Scaffolding is often hidden, serving only as a support for other architectural elements. In this case, the project by Carla Juaçaba and Bia Lessa revealed them, bringing all the potential of dialogue with the environment and permeability that this raw structural option provides. Thus, as they themselves wished, the interferences of the view and the climate, also turn into exhibition materials next to the built pavilion. Another great advantage of this solution is the easy reuse of these elements in other constructions.

More

Tiles and crafts exhibition

Tiles and crafts. Contemporary artisan proposals. Exhibition at Centre d’Artesania Catalunya.

Craft tiles take up a prominent place in Catalan ceramics between the 17th and 19th centuries. The origin, as the name implies, can be found in the representation of the most common trades in Catalonia, which the ceramists reproduced based on auca pictures, engravings and prints. Due to their quality, they are considered the best among those in Europe and are highly valued by museums and collectors.

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Craft tiles are also a testament to popular history and life, when handicrafts were of great importance to society. Today, these square pieces, nearly fourteen inches on each side, with a white background and painted in various colours, display crafts that in some respects still persist. Today’s artisans, faithful to tradition but with a contemporary outlook, create innovative, daring and creative objects.

This exhibition aims to show the evolution of these trades, now in the process of change and updating in search of new forms of expression, which have adapted to the times seeking new audiences and generated functional proposals that satisfy new tastes of society, as well as outstanding designs and artistic proposals. The craftsman’s ability to complete the creative and productive process, and their knowledge of techniques and materials, gives the craft rare flexibility and adaptability in other areas of production.

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The ‘Tiles and crafts’ exhibition presents a selection of tiles from trades and schools in Barcelona preserved in the Barcelona’s Museum of Design, and contrasts them with various objects by outstanding artists of the current panorama who use craft techniques to materialise their projects. From the past to the present of the craft sector, objects bring us closer to worlds that are not so distant: that of the artisan, the artist or the designer. A continuity lies in the fine line that separates these disciplines, a line that new generations of artisans are increasingly blurring.
CURATOR
David Places
Isabel Fernández del Moral

Dates
21 / 02 / 2020 – 26 / 04 / 2020
Venue
Centre d’Artesania Catalunya
Carrer dels Banys Nous, 11,
08002 Barcelona

Opening times:
Mondays to Saturdays, 10 am – 8 pm;
Sundays, 10 am – 2 pm.

Women team 2020

BAW’s Women team to celebrate the International Women’s day 2020

Yesterday we celebrate the International Women’s day. At BAW we have an amazing women team. Every one have something special to tell us, and we are very happy to share it with you! Here you have our women team of passionate Architects!

 

 

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Pia Wortham, born in Mexico City, Mexico. She studied at Tufts University Civil Engineering and Fine arts Museum School of Boston Massachusetts.

History is multidisciplinary,  and if we choose to look at history this way the whole accumulation of our human experience is more interesting. My classes have a healthy combination of technology and historical fact that I combine in order to relate the past to our present architectural practice and technology. This dual focus allows me to adapt the content of my tours based on the background and interests of the group. Architecture is a strange hybrid of many disciplines that literally makes up our built environment, I  try to convey the intricacies and complexities of cities in general and Barcelona in particular to enhance a sense of curiosity in the world around us.

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Sílvia Martinez Ramos, born in Barcelona. Architect by the Barcelona School of Architecture (ETSAB-UPC) 2014.

The fast pace of life that we are witnessing deprives us of fully appreciating the qualities of the places we are visiting. I believe that to discover any place in the world you have to live it through the eyes of someone who’s been deeply living it. The value of a place is not only what you can see but all the stories you can learn which enrich your experience and helps you understand and appreciate it. Barcelona is a city you can’t live without making a pause to walk, see and listen.

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Jelena Prokopljevic born in Belgrade. Architect degree from the Belgrade University 1998.

Architecture is always the expression of an epoch: of its society, politics and ideologies, culture, economy and technological development. When a client formulates a project commission, the package contains a set of dreams, a desired image that is to be projected through the built work defining its artistic attractiveness, high technology, ecological awareness, material austerity or exuberance. I like to transmit all this complexity of architecture and its general context both to my students and to my fellow-walkers.

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Cristina Santamaria Nogueira she is from Barcelona. Architect by Barcelona School of Architecture (ETSAB-UPC).

It is a pleasure to guide along my home city! A perfect combination of being outside, enjoying such beautiful surroundings while getting to know interesting people, showing them around, opening our minds to each other and letting each walk flow by itself. The great team of guides built at BAW makes our work collaborative an very rewarding!

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Carmen Popescu, born in Bucharest. Architecture Studies between Bucharest and Barcelona 1992-2003.

As a BAW walk leader, I try to transmit my experience of Barcelona, both as a practicing architect and as a passionate resident. Our walks allow us to explore the city, exchange ideas and share impressions about its timeless unique features. The routes are attractive and surprising, and I try to make everybody have a good time, while discovering some of Barcelona’s treasures.

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Elodie Gammont, born in Dax, France. Arquitect by Barcelona School of Architecture (ETSAB-UPC).

She is the half part of our adventure Barcelona Architecture Walks. BAW and MIEL Arquitectos Co-founder beside Miguel Angel Borràs. She develop some differents aspects like documentation and images task and take care of accounts, and of course she walks with all our tours as well. Specially when we need speak French!

We are so glad of all them, we have a wonderful Women’s team!

 

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