Architecture is the scenery of the cinema. Landscapes, houses, and cities consist the frames where filmmakers insert people, lives, and feelings. Their connection is beyond doubt and in some cases the results of this mixture are extraordinary. The following list is a selection of movies where architecture plays the key role in the storytelling or forms the background of the stories of the people producing it, the archis.
1.The belly of an architect (1987)
Architect Stourley Kracklite comes from Chicago to the eternal city of Rome to curate an exhibition dedicated to his favorite and visionary architect Etienne-Louis Boullée. Peter Greenaway, who directs the movie, explores the relationship between the city and the monuments, the fertile ideas and the role of the architect who keeps distinguishing the design from the construction. The exhibition takes place in the monument of Victor Emmanuel III, a pompous mass of white marble, planted in the heart of the historic city.
The director, using his bitter humor, explores the utopian side of architecture, presenting all the unfinished or unrealized projects. The peculiar symbols he uses, with the controversial meaning, transfer us to a dreamy but at the same time nightmare world. The spherical forms dominate the film: fruits, a gyroscope, Newton’s cenotaph, the belly of Kracklite’s pregnant wife and finally his own belly that grows uncontrolled and lets reality take place where he is absent.
2. Medianeras/Sidewalls (2011)
“Never before people’s roofs were close to one another as they are today. And never before people’s hearts were so far from one another as they are today”.  The title is not random as it concentrates wisely on the whole argument of Gustavo Taretto’s work. Sidewalls are literally the blind walls of the huge blocks of megacities and simultaneously they represent the “walls” that stand between people of urban centers, preventing them from communication.
Martin lives alone in an apartment in Buenos Aires, taking care of his dog, making a living out of web design. Marianna lives in the building next-door decorating shops with mannequin dolls as she was never able to work as an architect. While they live next to each other they have never met.
Starting from these two stories, the director focuses on recording the diseases of the modern society: loneliness, sense of isolation, the lack of uniqueness into the crowd. The images are simple and realistic: block of flats in endless lines reminding us of hornet’s nest, plants growing unexpectedly out of concrete and illegal windows built on sidewalls to let the light in.
3. Koyaanisqatsi: Life Out of Balance (1982)
This film has one idea, a simplistic one. It contrasts the glory of nature with the mess made by man. Directed by Godfrey Reggio and with the beautiful soundtrack of Philip Glass, it is an impressive visual and acoustic experience, trying to alert us to the environmental dangers caused by human beings.
Among other landscapes and places of the 1970’s America, we also watch the demolition of Pruit-Igoe Public Housing project in Saint Louis, Missouri. Designed by modernist architect Minoru Yamasaki, it was considered for a long time a model for urban renewal. However, due to the absence of political will, the decrease in the industrial economy, and rising racism towards this working class “ghetto”, Pruit-Igoe fell into disrepair and never recovered. Its demolition signed also the end of modernism.
4. In exchange for five apartments and one shop! (2005)
This docu-essay describes, above all, the architectural and social evolution of Athens as shown in Greek fiction films (from the oldest Greek fiction film of 1924 to those of 2004). It focuses on the general change of the cityscape of Athens due to economic and social transformations. The presence and the narration of four actors who are stigmatized by their interpretation in films of different time periods and cultures are crucial. The architectural and sociological trek is divided thematically into five sections: The Introduction, The Age of Innocence, The Explosive Adolescence, The Adulthood, and the Epilogue.
5. Dark City (1998)
As in its predecessor Metropolis, Dark City by Alex Proyas, presents to us a false world trying to fabricate ideal societies that are doomed to fail when a free spirit person starts questioning the things that surround him. In this city with no light, human memories are fabricated from the beginning, when the clock shows “midnight”. This is an experiment held by the Strangers who have collected a group of people in an artificial society to study them.
All humans lose consciousness. All machinery stops. Changes are made in the city. Skyscrapers are extruded from the primordial materials of the underworld, architecture is devised, rooms are prepared for their inhabitants, props are set in place.
6. The infinite happiness (2015)
The film spotlights the work of Danish architect Bjarke Ingels and his innovative ‘8’ housing development in Copenhagen. Filmmakers Ila Beka and Louise Lemoine instead of interviewing the architect on his projects and work, they prefer to follow the life of the residents of this community who share their stories and experiences of living in this new space.
Most of them share funny and happy everyday stories, from birthdays, outdoor activities to Halloween and family gatherings, while there is one of them mentioning his anxiety towards tourists who experience this building as a public space. The fact that sociable housing is a novelty even in Denmark, reveals the large ideological barrier that 8 seeks to overcome.
7. Blade Runner (1982)
In this dystopian science fiction movie, Ridley Scott introduces the viewer to another megacity society falling into decay. Los Angeles in the year 2019 is dark and almost an abandoned city where Replicants – cyborgs engineered by humans for entertaining purposes – try to find shelter to expand their lifespan. Rick Deckard is a “blade runner”, or a hunter of Replicants who lives in Frank Lloyd Wright’s Ennis House.
Unlike the futuristic exteriors of the film scenery, with tall skyscrapers and the rapid evolution of the cars and machinery, the interiors seem dusty and old with conventional, standard furniture, a controversial image, pointing out the decrease of capitalism and habitation of living through architecture.
8. The architect (2016)
In this recently released film, Jonathan Parker gathers all the stereotypes that form an architect to his main character Miles Moss, who is hired to design a house for a married couple. He is arrogant, self-centered and obsessed with his work. Is he building their dream house or his dream masterpiece? Just a light comedy to make us wonder about our profession and how the world sees us.